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Lake Avernus
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E85 - Lake Avernus
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Lake Avernus
Credit Line
The Trustees of the British Museum
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Artist
Joseph Clayton Bentley after Wilson
Title
Lake Avernus
Date
Published August 1851
Medium
Etching and engraving
Dimensions
252 x 335 mm
Dimensions
9 15/16 x 13 3/16 in.
Details
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Collection
The British Museum.
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Accession Number
1872,1012.2050
Wilson Online Reference
E85
Description
Landscape with a man leaning on his staff and another figure sitting in front of him, looking out over the lake from mossy boulders in the foreground. There are a ruined castle at the edge of the lake on the left and ships sailing beyond the curve of the lake to the right.
Landscape with a man leaning on his staff and another figure sitting in front of him, looking out over the lake from mossy boulders in the foreground. There are a ruined castle at the edge of the lake on the left and ships sailing beyond the curve of the lake to the right.
Exhibited
Provenance
Edward Daniell, 53 Mortimer Street, Cavendish Square, London, from whom purchased, 1872
Edward Daniell, 53 Mortimer Street, Cavendish Square, London, from whom purchased, 1872
Signature/inscription
Lettered below the image with the title and 'R.WILSON, R.A. PAINTER.' 'J. C. BENTLEY, ENGRAVER.' | 'FROM THE PICTURE IN THE VERNON GALLERY.' | 'SIZE OF THE PICTURE | 2FT. 4 1/2 IN. BY 1 FT. 6 1/4 IN.' 'PRINTED BY G. VIRTUE.'; and publication line: LONDON PUBLISHED FOR THE PROPRIETORS.'
Lettered below the image with the title and 'R.WILSON, R.A. PAINTER.' 'J. C. BENTLEY, ENGRAVER.' | 'FROM THE PICTURE IN THE VERNON GALLERY.' | 'SIZE OF THE PICTURE | 2FT. 4 1/2 IN. BY 1 FT. 6 1/4 IN.' 'PRINTED BY G. VIRTUE.'; and publication line: LONDON PUBLISHED FOR THE PROPRIETORS.'
Techniques and materials
Collectors' marks
Verso inscriptions
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Labels
Subject
Lake Avernus, to the west on Naples, near Pozzuoli, lies in the volcanic region of the Phlegraean ('Burning') Fields. In classical mythology this was the site of the Underworld or 'Hades'. The entrance to Hades was said to lie in a nearby grotto, inhabited by the prophetess known as the Cumaean Sibyl. In Virgil's epic poem, <i>The Aeneid</i>, the Sibyl helps Aeneas, the Trojan prince, to enter Hades. There his father's ghost foretells his destiny as the founder of the Roman nation. Such associations made Lake Avernus a major attraction for landscape artists and travellers on the Grand Tour. The semi-ruined Temple of Apollo on the eastern shore of the lake to the left, was believed in Wilson's day to have been dedicated to Juno or Proserpina. On the south bank is the cavern of the Cumaean Sibyl.
Lake Avernus, to the west on Naples, near Pozzuoli, lies in the volcanic region of the Phlegraean ('Burning') Fields. In classical mythology this was the site of the Underworld or 'Hades'. The entrance to Hades was said to lie in a nearby grotto, inhabited by the prophetess known as the Cumaean Sibyl. In Virgil's epic poem,
The Aeneid
, the Sibyl helps Aeneas, the Trojan prince, to enter Hades. There his father's ghost foretells his destiny as the founder of the Roman nation. Such associations made Lake Avernus a major attraction for landscape artists and travellers on the Grand Tour. The semi-ruined Temple of Apollo on the eastern shore of the lake to the left, was believed in Wilson's day to have been dedicated to Juno or Proserpina. On the south bank is the cavern of the Cumaean Sibyl.
Related Subjects
Related Drawings
D257 <i>Lake Avernus, Monte Nuovo, the Island of Capri and Part of Baiae</i>, The British Museum
D257
Lake Avernus, Monte Nuovo, the Island of Capri and Part of Baiae
, The British Museum
Related Prints
Versions
An engraver's proof and a late etched state with sky blank and scratched engraver's name are at the British Museum (1852,0214.594 & 1851,0104.32 respectively)
An engraver's proof and a late etched state with sky blank and scratched engraver's name are at the British Museum (1852,0214.594 & 1851,0104.32 respectively)
Related Paintings
P93 <i>Lake Avernus and the Island of Capri</i>, Glynn Vivian Art Gallery, Swansea P93A <i>Lake Avernus and the Island of Capri</i>, Tate, London (the Vernon painting)
P93
Lake Avernus and the Island of Capri
, Glynn Vivian Art Gallery, Swansea
P93A
Lake Avernus and the Island of Capri
, Tate, London (the Vernon painting)
Related Works by Other Artists
[1] J.M.W. Turner, <i>Aeneas and the Sibyl, Lake Avernus</i>, c. 1798, Tate, London (N00463) [2] Giovanni Battista Lusieri, <i>View of Lake Averno</i>, watercolour 1786, Christie's New York, 29 January 2015 (112)
[1] J.M.W. Turner,
Aeneas and the Sibyl, Lake Avernus
, c. 1798, Tate, London (N00463)
[2] Giovanni Battista Lusieri,
View of Lake Averno
, watercolour 1786, Christie's New York, 29 January 2015 (112)
Critical commentary
The print was an illustration to an accompanying anonymous article, 'The Vernon Gallery' in <i>The Art Journal</i>, August 1851 (see also E83, E88 and E91). In 1854 it featured with a two-page text in S.C. Hall's 3-volume catalogue of the Vernon Gallery (see Bibliography).
The print was an illustration to an accompanying anonymous article, 'The Vernon Gallery' in
The Art Journal
, August 1851 (see also E83, E88 and E91). In 1854 it featured with a two-page text in S.C. Hall's 3-volume catalogue of the Vernon Gallery (see Bibliography).
Previous Cat/Ref Nos
Bibliography
<i>The Art Journal</i>, vol. 13, August 1851, p. 212, November 1851, p. 280; vol 14, January 1852, p. 15; S.C. Hall ed., <i>The Vernon Gallery</i>, vol. 2, 1854, no. 20. (unpaginated).
The Art Journal
, vol. 13, August 1851, p. 212, November 1851, p. 280; vol 14, January 1852, p. 15; S.C. Hall ed.,
The Vernon Gallery
, vol. 2, 1854, no. 20. (unpaginated).
Link to WG Constable Archive Record
Location featured in work
More Information
Joseph Clayton Bentley (1809-1851) was a landscape painter, watercolourist and engraver. A pupil of Robert Brandard, he engraved plates for Messrs Fores and Virtue as well as plates such as this for 'The Vernon Gallery', subsequently published in <i>The Art Journal</i>.
Joseph Clayton Bentley (1809-1851) was a landscape painter, watercolourist and engraver. A pupil of Robert Brandard, he engraved plates for Messrs Fores and Virtue as well as plates such as this for 'The Vernon Gallery', subsequently published in
The Art Journal
.
Condition/Conservation
Illustrations of the Work
Updated by Compiler
09/03/2018
09/03/2018
Work of Art
Drawings
Lake Avernus, Monte Nuovo, the Island of Capri and Part of Baiae
, The British Museum
Versions
Joseph Clayton Bentley after Wilson,
Lake Avernus
, National Museum Wales, Cardiff
Paintings
Richard Wilson (1713/14-1782),
Lake Avernus and the Island of Capri
, Glynn Vivian Art Gallery, Swansea
Richard Wilson (1713/14-1782),
Lake Avernus and the Island of Capri
, Tate, London
Exhibitions
Biographies
Robert Vernon, 1774-1849
Documents
Part of a sketchbook
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