Jump to the content
Register
Log in
Advanced Search
Works of Art
Biographies
Exhibitions
Bibliographical Resources
Main
Home
Paintings
Drawings
Prints
Browse All Works
Wilson Collections
Wilson Collections Map
Tercentenary Exhibition
Other Exhibitions
Project Highlights
Themes and Media
Biographies
Bibliographical Resources
View of Lareci near Rome
You searched for:
E72/11 - View of Lareci near Rome
1 Item
No items selected
View of Lareci near Rome
Credit Line
The Trustees of the British Museum
Larger Image
Select Item
Email Link
Print
Feedback
Artist
Thomas Hastings after Wilson
Title
View of Lareci near Rome
Date
Published July 1821
Medium
Etching on chine collé
Dimensions
145 x 233 mm
Dimensions
5 11/16 x 9 3/16 in.
Details
Links
Collection
The British Museum.
To license image, click here
Accession Number
1854,0708.68
Wilson Online Reference
E72/11
Description
Three figures are seated near the entrance to a cave at the right; a road leads past a milestone through trees to a church in the far left background
Three figures are seated near the entrance to a cave at the right; a road leads past a milestone through trees to a church in the far left background
Exhibited
Provenance
Bought from George Willis, Piazza, Covent Garden, 1854
Bought from George Willis, Piazza, Covent Garden, 1854
Signature/inscription
Lettered below the image with the title and above: 'The Original is in the Possession of Lady Ford.'; production details and publication line: 'Painted by R. Wilson. RA' ' Etched by T. Hastings | published July 1821'
Lettered below the image with the title and above: 'The Original is in the Possession of Lady Ford.'; production details and publication line: 'Painted by R. Wilson. RA' ' Etched by T. Hastings | published July 1821'
Techniques and materials
Collectors' marks
Verso inscriptions
Mount inscriptions
Labels
Subject
Located between the lakes of Nemi and Albano on the Via Appia Nuova, southeast of Rome, Ariccia was celebrated for its groves, thought to have been the hunting grounds of the goddess Diana. The area had been a haunt of Gaspard Dughet (1615-1675). whom Wilson greatly admired.
Located between the lakes of Nemi and Albano on the Via Appia Nuova, southeast of Rome, Ariccia was celebrated for its groves, thought to have been the hunting grounds of the goddess Diana. The area had been a haunt of Gaspard Dughet (1615-1675). whom Wilson greatly admired.
Related Subjects
Related Drawings
D282 <i>A Church at Ariccia</i>, Private Collection, England D282A <i>Landscape near Rome</i>, Birmingham Museums & Art Gallery D326 <i>Ariccia near Rome</i>, The British Museum (1881,0212.24)
D282
A Church at Ariccia
, Private Collection, England
D282A
Landscape near Rome
, Birmingham Museums & Art Gallery
D326
Ariccia near Rome
, The British Museum (1881,0212.24)
Related Prints
Versions
Related Paintings
P46 <i>Ariccia - I</i>, Tate, London and other versions
P46
Ariccia - I
, Tate, London and other versions
Related Works by Other Artists
Critical commentary
From a series of forty etchings after paintings by Richard Wilson and additional title page, bound in a volume in red tooled leather with gold decorative border, lettered on the spine with 'Wilson's | Etchings | by | Hastings'; the title page lettered in black and red: 'Etchings, | from the Works | of | [ facsimile of signature below portrait] Ric. Wilson | with Some Memoirs of his Life, &c. | by Thomas Hastings, Esq. | Collector of His Majesty's Customs. | "Non Ductus Officio Sed Amore Operis." Quintillian. | Published by Hurst, Robinson & Co. Cheapside, London. | Johnson, Typ. Apollo Press, 1825. Brook Street, Holborn'; containing twenty pages of Introductory and Concluding Remarks by the etcher, including descriptions of Richard Wilson's original paintings.
From a series of forty etchings after paintings by Richard Wilson and additional title page, bound in a volume in red tooled leather with gold decorative border, lettered on the spine with 'Wilson's | Etchings | by | Hastings'; the title page lettered in black and red: 'Etchings, | from the Works | of | [ facsimile of signature below portrait] Ric. Wilson | with Some Memoirs of his Life, &c. | by Thomas Hastings, Esq. | Collector of His Majesty's Customs. | "Non Ductus Officio Sed Amore Operis." Quintillian. | Published by Hurst, Robinson & Co. Cheapside, London. | Johnson, Typ. Apollo Press, 1825. Brook Street, Holborn'; containing twenty pages of Introductory and Concluding Remarks by the etcher, including descriptions of Richard Wilson's original paintings.
Previous Cat/Ref Nos
PPA324305
PPA324305
Bibliography
Hastings 1825; WGC, p. 193 under pl. 67b; Yule 2015, pp. 60 & 69
Hastings 1825; WGC, p. 193 under pl. 67b; Yule 2015, pp. 60 & 69
Link to WG Constable Archive Record
Location featured in work
More Information
George Willis was an antiquarian book dealer, who occasionally published books and prints. His firm was active from 1832-1856 and sold many prints to the British Museum. In 1856 it merged with Thomas Sotheran to become Willis & Sotheran.
George Willis was an antiquarian book dealer, who occasionally published books and prints. His firm was active from 1832-1856 and sold many prints to the British Museum. In 1856 it merged with Thomas Sotheran to become Willis & Sotheran.
Condition/Conservation
Illustrations of the Work
Updated by Compiler
09/12/2015
09/12/2015
Work of Art
Drawings
A Church at Ariccia
, Private Collection, England
Landscape near Rome
, Birmingham Museums & Art Gallery
Ariccia near Rome
, The British Museum
Paintings
Ariccia I
, Tate, London
Ariccia - I
, Private Collection, England
Ariccia - I (La Riccia, near Albano, Italy)
, Gloucester City Museum and Art Gallery
Exhibitions
Biographies
Captain Thomas Hastings, 1778-1854
Marianne Booth, Lady Ford, 1767-1849
Documents
Thomas Hastings,
Etchings from the Works of Ric. Wilson, with some Memoirs of his Life &c.
This print is part of the "Etchings from the Works of Richard Wilson British Museum" sketchbook
View sketchbook pages
To view this image and see text below or to compare two images, click on
'larger image'
icon for a moveable window.
OK
View Selected