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The Villa Madama, Rome, with a Man seated in the Foreground
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The Villa Madama, Rome, with a Man seated in the Foreground
Credit Line
Private Collection, England / Photograph by Matthew Hollow
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Artist
Richard Wilson (1713/14-1782)
Title
The Villa Madama, Rome, with a Man seated in the Foreground
Date
c.1753 (undated)
Medium
Black chalk over graphite with white highlights on grey paper
Dimensions
195 x 257 mm
Dimensions
7 5/8 x 10 1/8 in.
Details
Links
Collection
Private Collection, England
Accession Number
RF75
Wilson Online Reference
D225
Description
An artist, presumably intended as Wilson himself, sits with his back to us on Monte Mario, looking towards the Villa Madama and beyond towards Rome, above what is now the Stadio Olimpico.
An artist, presumably intended as Wilson himself, sits with his back to us on Monte Mario, looking towards the Villa Madama and beyond towards Rome, above what is now the Stadio Olimpico.
Exhibited
London 1925 (73 - <i>Richard Wilson sketching</i>); Manchester 1925 (46 - <i>Richard Wilson sketching Raphael's Villa</i>); Exeter 1946 (12); Norwich 1958 (62 - <i>The Villa Madama</i>); Rome 1959 (675); Beaumont 1969 (17); London, Cardiff and New Haven, 1982-83 (37); Conwy 2009 (5); Gainsborough House 2014 (unnumbered); Tercentenary 2014 (59)
London 1925 (73 -
Richard Wilson sketching
); Manchester 1925 (46 -
Richard Wilson sketching Raphael's Villa
); Exeter 1946 (12); Norwich 1958 (62 -
The Villa Madama
); Rome 1959 (675); Beaumont 1969 (17); London, Cardiff and New Haven, 1982-83 (37); Conwy 2009 (5); Gainsborough House 2014 (unnumbered); Tercentenary 2014 (59)
Provenance
<span class="underline">William Lock of Norbury</span>; his sale, Sotheby's, London 3-7 May 1821;Marianne (Lady) Ford; thence by descent
William Lock of Norbury
; his sale, Sotheby's, London 3-7 May 1821;Marianne (Lady) Ford; thence by descent
Signature/inscription
Unsigned; no inscription
Unsigned; no inscription
Techniques and materials
The white highlighting is used skilfully to catch the sunlight on the near corner of the building
The white highlighting is used skilfully to catch the sunlight on the near corner of the building
Collectors' marks
Verso inscriptions
Mount inscriptions
Labels
Subject
The Villa Madama, on Monte Mario to the north of the Vatican, was originally designed about 1518 by Raphael for Pope Clement VII in emulation of the villas of ancient Rome described by Pliny the Younger. After the artist's death in 1520 the building was completed by his pupils.
The Villa Madama, on Monte Mario to the north of the Vatican, was originally designed about 1518 by Raphael for Pope Clement VII in emulation of the villas of ancient Rome described by Pliny the Younger. After the artist's death in 1520 the building was completed by his pupils.
Related Subjects
Related Drawings
Related Prints
Versions
Related Paintings
P56 <i>Rome from the Villa Madama</i>, Yale Center for British Art, Paul Mellon Collection and other versions
P56
Rome from the Villa Madama
, Yale Center for British Art, Paul Mellon Collection and other versions
Related Works by Other Artists
Joseph Farington, <i>Sketchbook</i> (1763), Victoria & Albert Museum, P.72-1921, includes a close copy of the present drawing but without the figure.
Joseph Farington,
Sketchbook
(1763), Victoria & Albert Museum, P.72-1921, includes a close copy of the present drawing but without the figure.
Critical commentary
Almost certainly a preparatory study for P56 <span class="italic">Rome from the Villa Madama</span>, painted for the Earl of Dartmouth in 1753. The figure engaged in drawing is likely to refer to Wilson himself and his known practice of sketching <i>en plein air</i>. This is supported by J.T. Smith's statement of 1828 about Richard Ford's collection of Wilsons: 'The same gentleman has also many of Wilson's finest drawings from nature, which he principally made when studying at Rome; one of which is particularly interesting, since it contains Wilson's own figure, seated on the ground in his bag-wig, making a drawing of Raffaelle's villa.' (see Bibliography below).
Almost certainly a preparatory study for P56
Rome from the Villa Madama
, painted for the Earl of Dartmouth in 1753. The figure engaged in drawing is likely to refer to Wilson himself and his known practice of sketching
en plein air
. This is supported by J.T. Smith's statement of 1828 about Richard Ford's collection of Wilsons: 'The same gentleman has also many of Wilson's finest drawings from nature, which he principally made when studying at Rome; one of which is particularly interesting, since it contains Wilson's own figure, seated on the ground in his bag-wig, making a drawing of Raffaelle's villa.' (see Bibliography below).
Previous Cat/Ref Nos
Bibliography
Smith 1828, vol.1, p. 138; Ford 1951, pp. 56-57, pl. 38; WGC, p. 219, pl. 108a; Solkin, 1982, pp. 163-64, 184-85; Walpole Society 1998-I, p. 71, RF 75; Lord 2009, p. 15, repr; Wilson and Europe 2014, p. 248
Smith 1828, vol.1, p. 138; Ford 1951, pp. 56-57, pl. 38; WGC, p. 219, pl. 108a; Solkin, 1982, pp. 163-64, 184-85; Walpole Society 1998-I, p. 71, RF 75; Lord 2009, p. 15, repr; Wilson and Europe 2014, p. 248
Link to WG Constable Archive Record
Location featured in work
More Information
Condition/Conservation
Slight spotting overall, especially noticeable in the large void area of the sky.
Slight spotting overall, especially noticeable in the large void area of the sky.
Illustrations of the Work
Updated by Compiler
Work of Art
Paintings
Rome from the Villa Madama
, Yale Center for British Art, Paul Mellon Collection
Rome from the Villa Madama
, Ashmolean Museum, University of Oxford
Rome from the Villa Madama
, National Gallery of Canada, Ottawa
Rome from the Villa Madama
, Tomasso Brothers Fine Art, Leeds & London
Exhibitions
London, Tate Gallery, Cardiff, National Museum of Wales, and New Haven, Conn., Yale Center for British Art, 3 November 1982 - 19 June 1983
London, National Gallery, Millbank (Tate Gallery), 26 June - 30 September 1925
Manchester City Art Gallery, 22 October - 5 December 1925
Conwy, Royal Cambrian Academy, 24 October - 23 December 2009
Exeter, Royal Albert Memorial Museum, 7 March - 5 April 1946
Norwich, Castle Museum, 23 May - 20 July 1958
Rome, Palazzo delle Esposizioni, 1959
Sudbury, Gainsborough's House, 11 January - 31 May 2014
New Haven, Yale Center for British Art & Cardiff, Amgueddfa Cymru - National Museum Wales, 6 March - 29 October 2014
Travelling Exhibition, 20 February - 30 November 1969
Biographies
William Lock 'of Norbury', 1732-1810
Sir Brinsley Ford, 1908-1999
Marianne Booth, Lady Ford, 1767-1849
Sir Richard Ford, 1758-1806
Documents
William George Constable,
Richard Wilson
David Solkin,
Richard Wilson: The Landscape of Reaction
John Thomas Smith,
Nollekens and his Times
Peter Lord,
Richard Wilson. Life & Legacy
Brinsley Ford,
The Drawings of Richard Wilson
Martin Postle & Robin Simon,
Richard Wilson and the Transformation of European Landscape Painting
Brinsley Ford and other authors,
The Ford Collection
Part of a sketchbook
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