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Booth Notes Doc. 6
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"A View in the Villa Madama, near Rome, called Il Teatro: Pastor Fido & other Dramas having been perform'd there" Is linked to these Documents
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Booth Notes Doc. 6
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Wilson Online Reference
Booth Notes Doc. 6
Author
Benjamin Booth
Title/Description
Unpublished Notes, Document 6: List of Engravers after Wilson and Biographical Notes
Publisher
Unpublished manuscript
Country
London, UK
Date of Publication
Printed/Manuscript
Primary unique
Source Institution
Private Collection, England
Document Inventory/Accession No
More Information
A manuscript list of engravers after Wilson's works and an assessment of his significance, on a single unfolded laid foolscap page, damaged along upper and lower edges and part-torn along the folds, recto and verso, watermarked but undated.
Full Text
Recto
Engravers from Wilson's Pictures Woollet --------- See before in another paper [Doc. 5] Roberts --------- Storm --- in Colln. of - P Delme [perhaps E17 - an impression] Do a View in Italy --------- 2/- [E16 - an impression] Wood ------------ Lake of Nemi. in Exh. 1774 -- 2/- [E13 - an impression] Byrne il Teatro at Villa Madama ----- 2/- [E14 - an impression] Morris -------------- a View -------------------- D. Woolcot [E25 - an impression] Roberts ------- Anconetta near Venice --------- Opie [E19 - an impression] Byrne ---- a View Campagna from Sibyl's Temp^l\: 2/ [E15 - an impression] D. Carnarvon Castle [E27 - an impression] P C Canot --- Bridge Pont y Pryd --- 2/ [E28 - an impression] Rooker - Summit of Cader Ydris -- 2/ [E22 - an impression] Elliot -- Kilgarren Castle ----------- 2/ [E31 - an impression] Mason --- Pembroke Castle and Town --- 2/ [E29 - an impression] Woollet --- Snowdon ------------------- in Colln of Sr W W Wynne [E30 - an impression] Rooker --- a View from Temple Peace. Rome [E32 - an impression] D -------- Circus of Caracalla ---------- d-- [E33 - an impression] Gandon --- The Baths of Dioclesian --------- 2/- [E34 - an impression] W Hodges Torre del Grotte near Naples --- 2/- [E35 - an impression] Gandon a View from Banks Tiber [sic] 2/- [E36 - an impression] D -------- Temple of Romulus & Remus. 2/- [E37 - an impression] Farrington - Augustus' Bridge. Rimini - [E38 - an impression] Do ------------- Strada Nomentana -- [E39 - an impression] Gandon --- Castle of Ischia - [E40 - an impression] Do ----------- Pompey's Bridge at Terni [E41 - an impression] Rooker --- Adrian's Villa ---------------} in colln. of J Farrington [E42 - an impression] Do ---------- Maecenas's - Villa------- } [E43 - an impression] Alkin [sic] ----- Temple of Venus ---------- do } Do ---------------Gypsies in wood w^th\ Cavern } } P Sandby [E50 - an impression] 15 m from Rome --- } } Bearne [sic] ----- Falls of Niagara. N^o\. Am^a\.ded^n\ to Lady Susan Obrien [E26 - an impression]
Verso
Genius great & original followed no model (except | Claude). His art seem'd of his own Creation. His style & | ^colouring\ Italian. His observations were faithfully & carefully | made from Nature. His [deleted: Designs] ^compositions grand\ elegant ^original\ & superior | shew'd the Force of his ^own\ Genius, not [deleted: indetted to] guided by | the thoughts or works of any one else. His figures easy | & expressive of the character meant to be introduced | Even His mythologic & allegoric Subjects were just & Classical | in that respect his ^Genius may\ [deleted: may] have bent [?], to imitate his great | pattern Claude Lorraine - but never stooped to low | Image [sic] & vulgar nature. Was the
First
^& greatest\ [deleted: that] landscape | painter in England. [In pen, turned through 90 degrees: 'RW' (the R inverted in ligature)] born ao. [blank] at. [blank] died ao. [blank] in [blank] was disigned for portrait. Genius | superior to the copying of faces [three illegible words]. Struck out into | the painting of landscape, studyd under [blank]. not confined | to the studied principles of the art [?] desirous of dispatching the | clouds that ^now\ surrounded Him [illegible words] light - He continually | made studies after nature, & observations on [deleted: the effects of] Light | & shade, trying to imitate those striking and brilliant Effects. so | happily shown in his landscapes. He was indefatigable in his | labours to attain the art. & unrivalled in Designs & Colouring ^the clair obscur admirable\ - | which were brilliant and clear. [Deleted: No one] His aerial perspective | inimitable, he confined himself to Land Scenes, never meddled | with marine - Many of the works of this charming artist are | in the Cabinets of Princes & Noblemen & have been engraved by | the First Engravers of England.
Updated by Compiler
19/07/2019
19/07/2019
Work of Art
Prints
William Byrne (1743-1805) after Wilson,
A View in the Villa Madama, near Rome, called Il Teatro
, Yale Center for British Art, Paul Mellon Collection, New Haven
William Elliott (1727-1766) after Wilson,
Kilgarren Castle, South Wales
, Yale Center for British Art, Paul Mellon Collection, New Haven
William Byrne (1743-1805) after Wilson,
Tivoli: The Temple of the Sibyl and the Campagna [untitled]
, Yale Center for British Art, Paul Mellon Collection, New Haven
William Byrne (1743-1805) after Wilson,
A View in the Villa Madama, near Rome, called Il Teatro: Pastor Fido & other dramas having been performed there
, Victoria & Albert Museum, London
William Byrne (1743-1805) after Wilson,
Carnarvon Castle
, The British Museum
Pierre Charles Canot (c.1710-1777) after Wilson,
The Great Bridge over the Taaffe in South Wales
, The British Museum
Samuel Alken (1756-1815) after Wilson,
The Gypsies
, The British Museum
James Roberts (1725-1799) after Wilson,
A View in Italy
, The British Museum
James Mason (1710-1783) after Wilson,
Pembroke Town and Castle
, The British Museum
William Byrne (1743-1805) after Wilson,
A View in the Villa Madama, near Rome, called Il Teatro: Pastor Fido & other Dramas having been perform'd there
, The British Museum
James Gandon (1742-1823) after Wilson,
Temple of Romulus and Remus
, The British Museum
Edward (1724-1774) & Michael 'Angelo' Rooker (1746-1801) after Wilson,
The Summit of Cader Idris Mountain
, The British Museum
Thomas Morris (c.1750-c.1811) after Wilson,
The Banks of the River Dee near Eaton, Cheshire (Landscape with River, three Figures in a Rowing Boat)
, The British Museum
Joseph Wood after Wilson,
The Lake of Nemi or Speculum Dianæ
, The British Museum
William Byrne (1743-1805) after Wilson,
View of the Cataract of Niagara, with the Country adjacent
, The British Museum
Joseph Wood after Wilson,
The Lake of Nemi or Speculum Dianae
, Royal Academy of Arts, London
William Byrne (1743-1805) after Wilson,
A View in the Villa Madama near Rome called Il Teatro
, Royal Academy of Arts, London
William Byrne (1743-1805) after Wilson,
View in the Villa Madama
, National Museum Wales, Cardiff
Joseph Wood after Wilson,
The Lake of Nemi or Speculum Dianae
, National Museum Wales, Cardiff
Edward Rooker (c.1712-1774) after Wilson,
Circus of Caracalla (from Twelve Original Views in Italy)
, Yale Center for British Art, Paul Mellon Collection, New Haven
James Gandon (1742-1823) after Wilson,
Baths of Dioclesian (from Twelve Original Views in Italy)
, Yale Center for British Art, Paul Mellon Collection, New Haven
William Hodges after Wilson,
Torre delle Grotte near Naples (from Twelve Original Views in Italy)
, Yale Center for British Art, Paul Mellon Collection, New Haven
James Gandon (1742-1823) after Wilson,
Banks of the Tiber (from Twelve Original Views in Italy)
, Yale Center for British Art, Paul Mellon Collection, New Haven
Joseph Farington (1747-1821) after Wilson,
Bridge of Augustus at Rimini (from Twelve Original Views in Italy)
, Yale Center for British Art, Paul Mellon Collection, New Haven
Joseph Farington (1747-1821) after Wilson,
In the Strada Nomentana (from Twelve Original Views in Italy)
, Yale Center for British Art, Paul Mellon Collection, New Haven
James Gandon (1742-1823) after Wilson,
Castle of Ischia (from Twelve Original Views in Italy)
, Yale Center for British Art, Paul Mellon Collection, New Haven
James Gandon (1742-1823) after Wilson,
Pompey's Bridge at Terni (from Twelve Original Views in Italy)
, Yale Center for British Art, Paul Mellon Collection, New Haven
Michael 'Angelo' Rooker (1746-1801) after Wilson,
In the Villa Adriana (from Twelve Original Views in Italy)
, Yale Center for British Art, Paul Mellon Collection, New Haven
Michael 'Angelo' Rooker (1746-1801) after Wilson,
Villa of Maecenas at Tivoli (from Twelve Original Views in Italy)
, Yale Center for British Art, Paul Mellon Collection, New Haven
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