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Distant View of Maecenas' Villa, Tivoli (Tivoli, Villa of Maecenas)
Private Collection, England / Photograph by John Hammond
Richard Wilson (1713/14-1782)
Distant View of Maecenas' Villa, Tivoli (Tivoli, Villa of Maecenas)
c.1771 (undated)
Oil on canvas
76.2 x 108.5 cm
30 x 42 11/16 in.
Private Collection, England
The view is up the gorge of the River Aniene, showing the lower cascades in the middle distance and above them, the ruins of the so-called Villa of Maecenas or Temple of Hercules. The small building on the hillside is the Tempio della Tosse (Temple of Coughing), perhaps a tomb. As noted by Solkin, however, the foreground and middleground seem to be entirely invented, while the villa itself and the temple are shown on a much lower slope than they occupy in reality.
Brighton 1920 (13 - Italian Landscape); London 1968 (11); Weston 2011 (26); Gainsborough House 2014 (unnumbered)
Francis Macklay (£26-6-0); Benjamin Booth; Lady Ford; the Revd James Ford; Edmund Ford; Robert Ford; his daughter, Mrs Rogers; Lionel Edwards of Penrose; bequeathed 1961 to his wife's niece, Joanna, Lady Ford
Copy [?] receipt: London Sepr. 12/Recd. of Francis Macklay Esqr./the sum of Twenty Six Pounds 6 Shills for a Landkip [?] in fully of all Demands by me/Ric. Wilson 26-6-0
Tivoli was a favoured location of the ancient Romans for their villas of retirement from the heat of Rome. For 18th century Grand Tourists, it was a popular destination, not only because of the ancient remains but also for the spectacle of the outstanding waterfalls thundering down through wooded slopes. The Villa of Maecenas was a key ruin for visitors, partly for its dramatic position but more so as the former residence of Maecenas, the greatest Roman patron of luxury and the arts. It was also he who gave Horace his Sabine Farm which was a justification for rural retirement and was the inspiration for many British country houses under construction in the 18th century. The moral focus of the villa has also been emphasised, notably by David Solkin, as symbolising the dangers of excessive luxury, not only for ancient Rome but also for contemporary Britain.
D164 Landscape with a large Temple, Victoria & Albert Museum, London
D260 Villa of Maecenas, Tate, London
E72/7 Hastings after Wilson, The Villa of Maecenas, The British Museum
E77 Le Keux after Wilson, Maecenas' Villa at Tivoli, National Museum Wales, Cardiff
E79/2 Brandard after Wilson, Maecenas' Villa at Tivoli, The British Museum
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[1] Claude-Joseph Vernet The Falls of Tivoli (1753, WGC pl. 151b)
[2] Francis Towne (1739-1816): The Villa of Maecenas at Tivoli from below the Falls, watercolour, 1781, The British Museum (Nn,3.8)
The date proposed is taken from the inscription on Thomas Hastings's etching of the subject: 'Painted by R. Wilson / 1771'.
Booth Notes Doc. 8; Booth Notes Doc. 9 (48); WGC, pp. 34, 46, 75, 225, pl. 117b (version 2); Walpole Society 1998-I, p.18, BB30; Williams 2011, p. 36