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Holt Bridge on the River Dee
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Holt Bridge on the River Dee
Credit Line
Birmingham Museums Trust
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Artist
Richard Wilson (1713/14-1782)
Title
Holt Bridge on the River Dee
Date
c.1761-62 (undated)
Medium
Black chalk. grey wash and white bodycolour on buff prepared paper, laid down on grey card
Dimensions
335 x 523 mm
Dimensions
13 3/8 x 20 11/16 in.
Details
Links
Collection
Birmingham Museums & Art Gallery. To license images click here.
Accession Number
1948P46
Wilson Online Reference
D358
Description
Exhibited
Worthing 1960 (2); London 1973-74 (36); Arts Council in collaboration with Birmingham City Museum and Art Gallery, <i>British Watercolours 1760-1930, from the Birmingham Museum and Art Gallery</i>, 1981 (1); Tercentenary 2014 (74)
Worthing 1960 (2); London 1973-74 (36); Arts Council in collaboration with Birmingham City Museum and Art Gallery,
British Watercolours 1760-1930, from the Birmingham Museum and Art Gallery
, 1981 (1); Tercentenary 2014 (74)
Provenance
Paul Sandby, his sale, 3 May 1811 (97 <i> View on the Banks of the Dee in Cheshire</i>), bt Thane together with <i>In the Garden at Lericci</i>, for £9-10s; William Esdaile; Prof. J. Isaacs; Spink & Sons, London; bt by Birmingham Museums & Art Gallery, 1948
Paul Sandby, his sale, 3 May 1811 (97
View on the Banks of the Dee in Cheshire
), bt Thane together with
In the Garden at Lericci
, for £9-10s; William Esdaile; Prof. J. Isaacs; Spink & Sons, London; bt by Birmingham Museums & Art Gallery, 1948
Signature/inscription
Signed lower left corner: RW [the R reversed]
Signed lower left corner: RW [the R reversed]
Techniques and materials
Collectors' marks
[1] Lower left corner: Paul Sandby (Lugt 2112) [2] WE No 2354
[1] Lower left corner: Paul Sandby (Lugt 2112)
[2] WE No 2354
Verso inscriptions
[1] Lower centre, pencil: - Holt + Farndon showing the Old Bridge [2] Lower left pencil: Bought by William Esdaile 1811. Bought at W.E.'s sale by J.A. [3] Lower left corner, black ink in Esdaile's hand: 1811 Paul Sandby's sale WE N2354 [4] Lower left centre, black ink in Esdaile's hand: Wilson [5] Lower right, pencil: P46'48
[1] Lower centre, pencil: - Holt + Farndon showing the Old Bridge
[2] Lower left pencil: Bought by William Esdaile 1811. Bought at W.E.'s sale by J.A.
[3] Lower left corner, black ink in Esdaile's hand: 1811 Paul Sandby's sale WE N2354
[4] Lower left centre, black ink in Esdaile's hand: Wilson
[5] Lower right, pencil: P46'48
Mount inscriptions
Labels
[1] In file from undated exhibition: National Library of Wales, Aberystwyth [2] From Spink and Son - mentions note in pencil, verso, 'Bought at W. Esdaile's by J. K.A.'
[1] In file from undated exhibition: National Library of Wales, Aberystwyth
[2] From Spink and Son - mentions note in pencil, verso, 'Bought at W. Esdaile's by J. K.A.'
Subject
Related Subjects
Paul Sandby watercolour, Christie's 17 November 1981 (98); Christie's 25 April 1995 (13)
Paul Sandby watercolour, Christie's 17 November 1981 (98); Christie's 25 April 1995 (13)
Related Drawings
Related Prints
Versions
Related Paintings
P110 <i>Holt Bridge on the River Dee</i>, The National Gallery, London
P110
Holt Bridge on the River Dee
, The National Gallery, London
Related Works by Other Artists
Critical commentary
This drawing corresponds closely to P110 <i/>Holt Bridge on the River Dee</i>, National Gallery, London. with the foreground figures the only significant change in the composition. As Robin Simon has observed, the drawing is unusual in Wilson's later work in being both highly finished and also closely related to an oil painting. Its precise purpose, therefore, remains something of an enigma.
This drawing corresponds closely to P110
Holt Bridge on the River Dee
, National Gallery, London. with the foreground figures the only significant change in the composition. As Robin Simon has observed, the drawing is unusual in Wilson's later work in being both highly finished and also closely related to an oil painting. Its precise purpose, therefore, remains something of an enigma.
Previous Cat/Ref Nos
46'48
46'48
Bibliography
Ford 1951, pp. 36, 62, no. 70; WGC, p. 175, pl. 36c; Parris 1973, p. 31; Egerton 1998, rev. 2000, pp. 328-29, fig. 1; Simon 1998; Wilson and Europe 2014, p. 261
Ford 1951, pp. 36, 62, no. 70; WGC, p. 175, pl. 36c; Parris 1973, p. 31; Egerton 1998, rev. 2000, pp. 328-29, fig. 1; Simon 1998; Wilson and Europe 2014, p. 261
Link to WG Constable Archive Record
Location featured in work
More Information
Paul Sandby, the first recorded owner, greatly admired Wilson and latterly bought drawings from him above their asking price in order to relieve his poverty in old age.
Paul Sandby, the first recorded owner, greatly admired Wilson and latterly bought drawings from him above their asking price in order to relieve his poverty in old age.
Condition/Conservation
Illustrations of the Work
Updated by Compiler
06/12/2016
06/12/2016
Work of Art
Paintings
Richard Wilson (1713/14-1782),
Holt Bridge on the River Dee
, The National Gallery, London
Exhibitions
Worthing Art Gallery, 21 May - 18 June 1960
London, Tate Gallery, 20 November 1973 - 3 February 1974
New Haven, Yale Center for British Art & Cardiff, Amgueddfa Cymru - National Museum Wales, 6 March - 29 October 2014
Biographies
William Esdaile, 1758-1837
Paul Sandby, c.1730-1809
John Thane, 1748-1818
Documents
William George Constable,
Richard Wilson
Brinsley Ford,
The Drawings of Richard Wilson
Martin Postle & Robin Simon,
Richard Wilson and the Transformation of European Landscape Painting
Judy Egerton, National Gallery Catalogues:
The British School
Robin Simon, 'Seeing double: Richard Wilson and Claude Lorrain'
Leslie Parris,
Landscape in Britain, 1750-1850
Part of a sketchbook
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