Jump to the content
Register
Log in
Advanced Search
Works of Art
Biographies
Exhibitions
Bibliographical Resources
Main
Home
Paintings
Drawings
Prints
Browse All Works
Wilson Collections
Wilson Collections Map
Tercentenary Exhibition
Other Exhibitions
Project Highlights
Themes and Media
Biographies
Bibliographical Resources
The Villa of Maecenas near Tivoli
You searched for:
"Hastings" Is linked to these Works of Art
52 Items
No items selected
1
15
16
17
18
19
20
21
22
23
52
The Villa of Maecenas near Tivoli
Credit Line
The Trustees of the British Museum
Larger Image
Select Item
Email Link
Print
Feedback
Artist
Thomas Hastings after Wilson
Title
The Villa of Maecenas near Tivoli
Date
Published February 1821
Medium
Etching on chine collé
Dimensions
183 x 233 mm
Dimensions
7 1/4 x 9 3/16 in.
Details
Links
Collection
The British Museum.
To license image, click here
Accession Number
1854,0708.64
Wilson Online Reference
E72/7
Description
The view is up the gorge of the River Aniene, showing the lower cascades in the middle distance and above them, the ruins of the so-called Villa of Maecenas or Temple of Hercules. On the right the small building on the hillside is the <i>Tempio della Tosse</i> (Temple of Coughing) - perhaps a tomb. Two women are fetching water from a brook in the foreground at the left with stone fragments from classical buildings nearby. A road leads off to a bridge at the right.
The view is up the gorge of the River Aniene, showing the lower cascades in the middle distance and above them, the ruins of the so-called Villa of Maecenas or Temple of Hercules. On the right the small building on the hillside is the
Tempio della Tosse
(Temple of Coughing) - perhaps a tomb. Two women are fetching water from a brook in the foreground at the left with stone fragments from classical buildings nearby. A road leads off to a bridge at the right.
Exhibited
Provenance
Bought from George Willis, Piazza, Covent Garden, 1854
Bought from George Willis, Piazza, Covent Garden, 1854
Signature/inscription
Lettered below the image with the title, 'The Original is in the Possession of Lady Ford', production details and publication line: 'Painted by R. Wilson | 1771' ' Etched by T. Hastings | 1821' | 'pubd. in London Feby 1821'
Lettered below the image with the title, 'The Original is in the Possession of Lady Ford', production details and publication line: 'Painted by R. Wilson | 1771' ' Etched by T. Hastings | 1821' | 'pubd. in London Feby 1821'
Techniques and materials
Collectors' marks
Verso inscriptions
Mount inscriptions
Labels
Subject
The 'Villa of Maecenas' occupied a particularly lofty position in the esteem of British Grand Tourists since it brought to mind the most famous of all Roman cultural patrons. Maecenas had been one of the greatest Roman benefactors of the arts but was also perceived as the personification of decadent luxury. What were believed to be the ruins of his villa thus embodied both a high point of classical civilisation and the cause of its collapse. Hence this classical landscape held a moral lesson for the contemporary viewer. As noted by Solkin, however, the foreground and middleground of the composition seem to be entirely invented, while the villa itself and the temple are shown on a much lower slope than they occupy in reality.
The 'Villa of Maecenas' occupied a particularly lofty position in the esteem of British Grand Tourists since it brought to mind the most famous of all Roman cultural patrons. Maecenas had been one of the greatest Roman benefactors of the arts but was also perceived as the personification of decadent luxury. What were believed to be the ruins of his villa thus embodied both a high point of classical civilisation and the cause of its collapse. Hence this classical landscape held a moral lesson for the contemporary viewer. As noted by Solkin, however, the foreground and middleground of the composition seem to be entirely invented, while the villa itself and the temple are shown on a much lower slope than they occupy in reality.
Related Subjects
Related Drawings
D260 <i>Villa of Maecenas, Tivoli</i>, Tate, London
D260
Villa of Maecenas, Tivoli
, Tate, London
Related Prints
E77 J. Le Keux after Wilson, <i>Maecenas' Villa at Tivoli</i>, National Museum Wales, Cardiff E79/2 Robert Brandard after Wilson, <i>Maecenas' Villa at Tivoli</i>, The British Museum
E77 J. Le Keux after Wilson,
Maecenas' Villa at Tivoli
, National Museum Wales, Cardiff
E79/2 Robert Brandard after Wilson,
Maecenas' Villa at Tivoli
, The British Museum
Versions
Related Paintings
P71C <i>Distant View of Maecenas' Villa, Tivoli</i>, Private Collection, England plus other versions
P71C
Distant View of Maecenas' Villa, Tivoli
, Private Collection, England plus other versions
Related Works by Other Artists
Claude-Joseph Vernet <i>The Falls of Tivoli</i> (1753, WGC pl. 151b)
Claude-Joseph Vernet
The Falls of Tivoli
(1753, WGC pl. 151b)
Critical commentary
From a series of forty etchings after paintings by Richard Wilson and additional title page, bound in a volume in red tooled leather with gold decorative border, lettered on the spine with 'Wilson's | Etchings | by | Hastings'; the title page lettered in black and red: 'Etchings, | from the Works | of | [ facsimile of signature below portrait] Ric. Wilson | with Some Memoirs of his Life, &c. | by Thomas Hastings, Esq. | Collector of His Majesty's Customs. | "Non Ductus Officio Sed Amore Operis." Quintillian. | Published by Hurst, Robinson & Co. Cheapside, London. | Johnson, Typ. Apollo Press, 1825. Brook Street, Holborn'; containing twenty pages of Introductory and Concluding Remarks by the etcher, including descriptions of Richard Wilson's original paintings.
From a series of forty etchings after paintings by Richard Wilson and additional title page, bound in a volume in red tooled leather with gold decorative border, lettered on the spine with 'Wilson's | Etchings | by | Hastings'; the title page lettered in black and red: 'Etchings, | from the Works | of | [ facsimile of signature below portrait] Ric. Wilson | with Some Memoirs of his Life, &c. | by Thomas Hastings, Esq. | Collector of His Majesty's Customs. | "Non Ductus Officio Sed Amore Operis." Quintillian. | Published by Hurst, Robinson & Co. Cheapside, London. | Johnson, Typ. Apollo Press, 1825. Brook Street, Holborn'; containing twenty pages of Introductory and Concluding Remarks by the etcher, including descriptions of Richard Wilson's original paintings.
Previous Cat/Ref Nos
PPA324276
PPA324276
Bibliography
Hastings 1825; WGC, p. 226 under pl. 117b; Yule 2015, pp. 60 & 69
Hastings 1825; WGC, p. 226 under pl. 117b; Yule 2015, pp. 60 & 69
Link to WG Constable Archive Record
Location featured in work
More Information
George Willis was an antiquarian book dealer, who occasionally published books and prints. His firm was active from 1832-1856 and sold many prints to the British Museum. In 1856 it merged with Thomas Sotheran to become Willis & Sotheran.
George Willis was an antiquarian book dealer, who occasionally published books and prints. His firm was active from 1832-1856 and sold many prints to the British Museum. In 1856 it merged with Thomas Sotheran to become Willis & Sotheran.
Condition/Conservation
Illustrations of the Work
Updated by Compiler
08/12/2017
08/12/2017
Work of Art
Drawings
Richard Wilson (1713/14-1782),
Villa of Maecenas, Tivoli
, Tate, London
Prints
J. Le Keux after Wilson,
Maecenas' Villa at Tivoli
, National Museum Wales, Cardiff
Robert Brandard after Wilson,
Maecenas' Villa at Tivoli
, The British Museum
Paintings
Richard Wilson (1713/14-1782),
Distant View of Maecenas' Villa, Tivoli
, Tate, London
Richard Wilson (1713/14-1782),
Distant View of Maecenas' Villa, Tivoli
, Private Collection, England
Richard Wilson (1713/14-1782),
Distant View of Maecenas' Villa, Tivoli
, Birmingham Museums & Art Gallery
Richard Wilson (1713/14-1782),
Distant View of Maecenas' Villa, Tivoli
, Private Collection, England
Richard Wilson (1713/14-1782),
Distant View of Maecenas' Villa, Tivoli
, Lady Lever Art Gallery, National Museums Liverpool
Exhibitions
Biographies
Captain Thomas Hastings, 1778-1854
Marianne Booth, Lady Ford, 1767-1849
Documents
Thomas Hastings,
Etchings from the Works of Ric. Wilson, with some Memoirs of his Life &c.
This print is part of the "Etchings from the Works of Richard Wilson British Museum" sketchbook
View sketchbook pages
To view this image and see text below or to compare two images, click on
'larger image'
icon for a moveable window.
OK
View Selected