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The Destruction of Niobe's Children
ex-National Gallery; destroyed 1944
Richard Wilson (1713/14-1782)
The Destruction of Niobe's Children
c.1760 (undated)
Oil on canvas
116.8 x 167.6 cm
46 x 66 in.
ex-National Gallery; destroyed 1944
P90B
Eleven of Niobe's children are killed in a dramatic, lightning-filled landscape, which owes much to the influence of Gaspard Dughet and to a lesser extent, Joseph Vernet. Wilson's stormy setting emphasises the horror of the narrative by the broken trees, reeds bent with the wind, tumultuous seas, the fire in the distant town, the stormy skies, with lightning striking the mountain and the lurid light on the distant horizon.
BI 1814 (165/169 - Niobe); London. International Exhibition 1862 (62); London 1925 (51); Manchester 1925 (60)
Joseph Wilton, sculptor (d. 1803); bt by Sir George Beaumont, Baronet; presented by him to the National Gallery, London, 1826; destroyed by enemy action 1944
This painting was inspired by Ovid'sMetamorphoses, Book 6, lines 144-312. Niobe, daughter of Tantalus and Queen of Thebes, is punished for having dared to suggest, because she had seven sons and seven daughters, that she was superior to the goddess Leto (or Latona). Apollo and Artemis, children of Leto, killed all of Niobe's offspring in revenge and she herself wept until she was turned into stone.
D190 Landscape Study, Victoria & Albert Museum
E52 William Sharp and Samuel Smith Niobe, 1788, National Museum Wales, Cardiff (NMW A 11416) and other impressions
E54 William Sharp and Samuel SmithNiobe, Yale Center for British Art, Paul Mellon Collection, New Haven
E58 William Sharp and Samuel Smith Niobe, 1803, National Gallery of Victoria, Melbourne (1577/3)
E65 William Pengree Sherlock, Lefevre & Kohler after Wilson, Niobe, 1800-1820, The British MuseumE54 n
J.C. Varrall, Niobe, The National Gallery, No. 1
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Impression in the Bibliothèque Nationale, Paris
Edwards 1808, pp. 79, 82-86; Catalogue 1814, p. 20; Smith 1828,vol. 1, p. 139; Hazlitt 1843-44, vol. 1, p. iii, no. 110; Borenius 1944; Grant 1945; Waterhouse 1953, p. 176, pl. 142; WGC, pp. 42, 87, 160-63, pl. 18; J. Ziff, 'Backgrounds: Introduction of Architecture and Landscape: A Lecture by J.M.W. Turner', Journal of the Warburg and Courtauld Institute, vol. 26, 1963, pp. 146-47; Sutton & Clements 1968, vol. 2, p. 13, fig. 14
In a lecture given as Professor of Perspective at the Royal Academy on 12 February 1811, J.M.W. Turner remarked, 'In vain did [Wilson's] pictures of Niobe in possession of Sir George Beaumont and the Duke of Gloucester flash conviction of his powers.'