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View of the Wilderness in St. James's Park
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View of the Wilderness in St. James's Park
Credit Line
Yale Center for British Art, Paul Mellon Collection
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Artist
Richard Wilson (1713/14-1782)
Title
View of the Wilderness in St. James's Park
Date
Between 1770 and 1775 (undated)
Medium
Oil on canvas
Dimensions
43.2 x 53.3 cm
Dimensions
17 x 21 in.
Details
Links
Collection
Yale Center for British Art, Paul Mellon Collection, New Haven. To license images click here
Accession Number
B1976.7.176
Wilson Online Reference
P182
Description
The view is from the island in St James's Park known as The Wilderness, looking out across the sluice towards fashionably attired figures promenading along the Mall in the middle distance. Their richly coloured costumes, in combination with the typically Wilsonesque celestial backlighting, are brought into focus by a lone child in the foreground who kneels to feed a squirrel.
The view is from the island in St James's Park known as The Wilderness, looking out across the sluice towards fashionably attired figures promenading along the Mall in the middle distance. Their richly coloured costumes, in combination with the typically Wilsonesque celestial backlighting, are brought into focus by a lone child in the foreground who kneels to feed a squirrel.
Exhibited
RA 1779 (354 - a version); Hull 1936 (29), lent Sir Hickman Bacon; London, Cardiff and New Haven, 1982-83 (142); Denver 1993 (8)
RA 1779 (354 - a version); Hull 1936 (29), lent Sir Hickman Bacon; London, Cardiff and New Haven, 1982-83 (142); Denver 1993 (8)
Provenance
Sir Hickman Bacon (1855-1945); Sir Edmund Bacon; Sir Nicholas Bacon; acquired by Yale Center for British Art, 1965
Sir Hickman Bacon (1855-1945); Sir Edmund Bacon; Sir Nicholas Bacon; acquired by Yale Center for British Art, 1965
Signature/inscription
Unsigned; no inscription
Unsigned; no inscription
Techniques and materials
High gloss finish. Some underpaint shows through the tree on the left but dabs of blue are visible on top of the tree at the right. Good reflections of trees in the water. Sensitive and well articulated lighting centre foreground with beautifullyl lit figures and reflections in the background. The trees at the left are well outlined. There are some pentimenti between the branches in the lit space at the left. Pentimento/reinforcement of style - strategically placed figure in the foreground. The joining horizontal over the dip in the trees is ambiguous.
High gloss finish. Some underpaint shows through the tree on the left but dabs of blue are visible on top of the tree at the right. Good reflections of trees in the water. Sensitive and well articulated lighting centre foreground with beautifullyl lit figures and reflections in the background. The trees at the left are well outlined. There are some pentimenti between the branches in the lit space at the left. Pentimento/reinforcement of style - strategically placed figure in the foreground. The joining horizontal over the dip in the trees is ambiguous.
Collectors' marks
Verso inscriptions
Mount inscriptions
Labels
On back, label of R. & W. Clarke 40/41 Grand Parade, Cork
On back, label of R. & W. Clarke 40/41 Grand Parade, Cork
Subject
Previously thought to be a view of Rosamund's Pond at the south-west end of St James's Park, which was filled in in 1770. The location has been identified as the Wilderness, an island in the south eastern corner of the park, designed for the breeding of wildfowl. Mentioned by Alexander Pope in <i>The Rape of the Lock</i>, it was one of the few remaining wild corners of central London.
Previously thought to be a view of Rosamund's Pond at the south-west end of St James's Park, which was filled in in 1770. The location has been identified as the Wilderness, an island in the south eastern corner of the park, designed for the breeding of wildfowl. Mentioned by Alexander Pope in
The Rape of the Lock
, it was one of the few remaining wild corners of central London.
Related Subjects
Related Drawings
D372 <i>Woodland Scene</i>, Tate, London D373 <I>Study for the Wilderness in St. James's Park (Stream and Willows)</I>, The British Museum (1881, 0212.9)
D372
Woodland Scene
, Tate, London
D373
Study for the Wilderness in St. James's Park (Stream and Willows)
, The British Museum (1881, 0212.9)
Related Prints
Versions
See 'Links' tab
See 'Links' tab
Related Paintings
Related Works by Other Artists
Critical commentary
The work is possibly that recorded by Benjamin Booth as '21 The Wilderness called Duck Island formerly in St James's Park (finished picture 21 3/4 - 17)' [Booth Notes, Doc. 9]. Katharine Baetjer has noted the darkly mysterious mood of the picture,'despite the fact that it shows only a kneeling boy and, strolling along the canal in a distant beam of bright light, the fashionably dressed ladies and gentlemen of the town'.
The work is possibly that recorded by Benjamin Booth as '21 The Wilderness called Duck Island formerly in St James's Park (finished picture 21 3/4 - 17)' [Booth Notes, Doc. 9]. Katharine Baetjer has noted the darkly mysterious mood of the picture,'despite the fact that it shows only a kneeling boy and, strolling along the canal in a distant beam of bright light, the fashionably dressed ladies and gentlemen of the town'.
Previous Cat/Ref Nos
Object ID: 384
Object ID: 384
Bibliography
Booth Notes, Doc. 9 (21?); WGC, p. 235, pl. 138c; Solkin 1978, p. 410, n. 31, fig. 6; Solkin 1982 pp. 246-47; Cormack 1985, pp. 254 & 255; Baetjer 1993, pp. 102-103
Booth Notes, Doc. 9 (21?); WGC, p. 235, pl. 138c; Solkin 1978, p. 410, n. 31, fig. 6; Solkin 1982 pp. 246-47; Cormack 1985, pp. 254 & 255; Baetjer 1993, pp. 102-103
Link to WG Constable Archive Record
Location featured in work
More Information
Condition/Conservation
Foamboard backboard. Simple weave canvas, 15 threads per square cm. Original turnover edges removed and work relined onto a slightly heavier simple weave linen canvas. Stretcher: five members with square mortice joints and provision for keying out probably dates from relining. The X-ray shows the original canvas is in fairly good condition with only a minor tear with paint loss at centre left edge. Otherwise undamaged. Ground appears to be off-white or cream coloured where visible at lower corners and centre left hand edge. Under UV some retouching is visible over the varnish in tree foliage centre left and right and also in centre sky where tree-line dips. There are retouches around foreground figure and above the distant figure group in the tree trunks. Upper left and right sky appear to be retouched under the present varnish.
Foamboard backboard. Simple weave canvas, 15 threads per square cm. Original turnover edges removed and work relined onto a slightly heavier simple weave linen canvas. Stretcher: five members with square mortice joints and provision for keying out probably dates from relining. The X-ray shows the original canvas is in fairly good condition with only a minor tear with paint loss at centre left edge. Otherwise undamaged. Ground appears to be off-white or cream coloured where visible at lower corners and centre left hand edge. Under UV some retouching is visible over the varnish in tree foliage centre left and right and also in centre sky where tree-line dips. There are retouches around foreground figure and above the distant figure group in the tree trunks. Upper left and right sky appear to be retouched under the present varnish.
Illustrations of the Work
Updated by Compiler
10/09/2019
10/09/2019
Work of Art
Drawings
Richard Wilson (1713/14-1782),
Study Wilderness in St. James's Park (Stream and Willows)
, The British Museum
Richard Wilson (1713/14-1782),
Woodland Scene
, Tate, London
Versions
Richard Wilson (1713/14-1782)
View of the Wilderness in St James's Park
, Private Collection, England
Exhibitions
London, Tate Gallery, Cardiff, National Museum of Wales, and New Haven, Conn., Yale Center for British Art, 3 November 1982 - 19 June 1983
Hull, Ferens Art Gallery, November - December 1936
Denver Art Museum, Colorado, 11 December 1993 - 6 February 1994
Biographies
Paul Mellon, 1907-1999
Sir Hickman Bacon, Bart, 1855-1945
Documents
William George Constable,
Richard Wilson
David Solkin,
Richard Wilson: The Landscape of Reaction
David Solkin, 'Some New Light on the Drawings of Richard Wilson'
Malcolm Cormack,
A Concise Catalogue of Paintings in the Yale Center for British Art, New Haven
Benjamin Booth, Unpublished Notes, Document 9: List of Wilson's Landscapes with Sizes and former Owners
Katherine Baetjer, Glorious Nature: British Landscape Painting 1750-1850
Part of a sketchbook
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