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The Cascade at Terni
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"Solkin 1982" Is linked to these Works of Art
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The Cascade at Terni
Credit Line
Yale Center for British Art, Paul Mellon Collection
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Artist
Richard Wilson (1713/14-1782)
Title
The Cascade at Terni
Date
c.1751-52 (undated)
Medium
Black chalk on medium, moderately-textured, blued white laid paper
Dimensions
286 x 216 mm
Dimensions
11 1/4 x 8 1/2 in.
Details
Links
Collection
Yale Center for British Art, Paul Mellon Collection, New Haven. To license images click here
Accession Number
B1977.14.5746
Wilson Online Reference
D61
Description
From the top left an abundant waterfall plunges though a gap in the rocks. Further down and on the right tiny figures are seen on ledges leaning forward to stare at the water's descent.
From the top left an abundant waterfall plunges though a gap in the rocks. Further down and on the right tiny figures are seen on ledges leaning forward to stare at the water's descent.
Exhibited
Sheffield 1921; London, Cardiff and New Haven, 1982-83 (20)
Sheffield 1921; London, Cardiff and New Haven, 1982-83 (20)
Provenance
Earl of Warwick; Sotheby's June 1936 (152); Iolo Williams (245 - Terni); Paul Mellon; passed to the Yale Center for British Art in 1977
Earl of Warwick; Sotheby's June 1936 (152); Iolo Williams (245 - Terni); Paul Mellon; passed to the Yale Center for British Art in 1977
Signature/inscription
Unsigned; no inscription
Unsigned; no inscription
Techniques and materials
As Solkin observed, the combination of long looping lines and diagonal hatchings is entirely typical of Wilson's drawing style in 1751
As Solkin observed, the combination of long looping lines and diagonal hatchings is entirely typical of Wilson's drawing style in 1751
Collectors' marks
Verso inscriptions
[1] Faintly in pencil in an 18th or 19th-century hand: La Cascata di Terni
[1] Faintly in pencil in an 18th or 19th-century hand: La Cascata di Terni
Mount inscriptions
Labels
Subject
The famous Marmore Falls, near Terni, some 40 miles north-east of Rome, were cut in 272 BC by Curius Dentatus, conqueror of the Sabines and are among the highest in Europe at 650 feet. The manmade cascade is formed where the waters of the Velino River fall in three stages to join those of the Nera and was celebrated in Virgil's <i>Aeneid</i>' and in Byron's <i>Childe Harold's Pilgrimage</i> of 1812. In the 18th century it was one of the most popular destinations in Latium and Umbria for tourists and artists alike. In Wilson's lifetime the falls were also painted by Orizzonte and Thomas Patch, while later international artists who depicted them included Claude-Louis Chatelet (1753-1794), Jakob Philip Hackert, Carlo Labruzzi and Francis Towne.
The famous Marmore Falls, near Terni, some 40 miles north-east of Rome, were cut in 272 BC by Curius Dentatus, conqueror of the Sabines and are among the highest in Europe at 650 feet. The manmade cascade is formed where the waters of the Velino River fall in three stages to join those of the Nera and was celebrated in Virgil's
Aeneid
' and in Byron's
Childe Harold's Pilgrimage
of 1812. In the 18th century it was one of the most popular destinations in Latium and Umbria for tourists and artists alike. In Wilson's lifetime the falls were also painted by Orizzonte and Thomas Patch, while later international artists who depicted them included Claude-Louis Chatelet (1753-1794), Jakob Philip Hackert, Carlo Labruzzi and Francis Towne.
Related Subjects
Related Drawings
D299 <i>Study of a House and Loggia</i>, The British Museum
D299
Study of a House and Loggia
, The British Museum
Related Prints
Versions
Related Paintings
Related Works by Other Artists
[1] Thomas Patch, <i>The Falls of Terni</i>, oil on canvas, 1767, Amgueddfa Cymru - National Museum Wales (NMWA 106) [2] Francis Towne (1739-1816): <i>The Falls of Terni</i>, watercolour, 1799, The British Museum (Nn,3.17)
[1] Thomas Patch,
The Falls of Terni
, oil on canvas, 1767, Amgueddfa Cymru - National Museum Wales (NMWA 106)
[2] Francis Towne (1739-1816):
The Falls of Terni
, watercolour, 1799, The British Museum (Nn,3.17)
Critical commentary
Drawn on the spot at Terni, which was one of the last stops on Wilson's journey from Venice to Rome in the company of William Lock in 1751-52. According to Wilson's early biographer, Wright, Wilson stood in speechless admiration before the waterfall at Terni and no less a contemporary than Reynolds, who 'happened to be on the spot', heard him exclaim, 'Well done water, by God.' Reynolds noted in his sketchbook that he dined and saw the cascade at Terni on 5th May 1752, on his way from Rome to Florence but did not mention Wilson. The latter had arrived in Rome by March that year. He also made a drawing of a house in Terni (D299) , though probably on a later visit to the area.
Drawn on the spot at Terni, which was one of the last stops on Wilson's journey from Venice to Rome in the company of William Lock in 1751-52. According to Wilson's early biographer, Wright, Wilson stood in speechless admiration before the waterfall at Terni and no less a contemporary than Reynolds, who 'happened to be on the spot', heard him exclaim, 'Well done water, by God.' Reynolds noted in his sketchbook that he dined and saw the cascade at Terni on 5th May 1752, on his way from Rome to Florence but did not mention Wilson. The latter had arrived in Rome by March that year. He also made a drawing of a house in Terni (D299) , though probably on a later visit to the area.
Previous Cat/Ref Nos
Bibliography
Wright 1824, p. 19; Ford 1951, pp. 52-53, pl. 10; Solkin 1982, pp. 156-57; Spencer-Longhurst 2012, pp. 55-56, fig. 31
Wright 1824, p. 19; Ford 1951, pp. 52-53, pl. 10; Solkin 1982, pp. 156-57; Spencer-Longhurst 2012, pp. 55-56, fig. 31
Link to WG Constable Archive Record
Location featured in work
More Information
Condition/Conservation
Illustrations of the Work
Updated by Compiler
20/10/2016
20/10/2016
Work of Art
Drawings
Study of a House and Loggia
, The British Museum
Exhibitions
London, Tate Gallery, Cardiff, National Museum of Wales, and New Haven, Conn., Yale Center for British Art, 3 November 1982 - 19 June 1983
Biographies
Paul Mellon, 1907-1999
George Guy Greville Brooke, 4th Earl of Warwick, 1818-1893
Iolo Williams, 1890-1962
Documents
David Solkin,
Richard Wilson: The Landscape of Reaction
Thomas Wright,
Some Account of the Life of Richard WiIson Esq., R.A., collected and arranged by T. Wright, Esq. To which are added various Observations
Brinsley Ford,
The Drawings of Richard Wilson
Paul Spencer-Longhurst, 'All the Quality of his Pictures except the Colour': Richard Wilson's Drawings as Collectors' Items
Part of a sketchbook
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