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Meleager and Atalanta
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Meleager and Atalanta
Credit Line
Yale Center for British Art, Paul Me.llon Collection
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Artist
William Woollett (1735-1785) and Benjamin Thomas Pouncy after Wilson
Title
Meleager and Atalanta
Date
Published 1 December 1779
Medium
Line engraving and etching
Dimensions
445 x 549 mm
Dimensions
17 1/2 x 21 5/8 in.
Details
Links
Collection
Yale Center for British Art, Paul Mellon Collection, New Haven. To license images click here
Accession Number
B1977.14.14568
Wilson Online Reference
E46
Description
A wild landscape with a castle and aqueduct in the distance is shown against a stormy sky. In a clearing before a waterfall a group of men surround an enormous boar and Meleager, on horseback, drives a spear into it. His colleague, Anceus lies fallen and Atalanta, with two female attendants, aims an arrow at the beast from the far left.
A wild landscape with a castle and aqueduct in the distance is shown against a stormy sky. In a clearing before a waterfall a group of men surround an enormous boar and Meleager, on horseback, drives a spear into it. His colleague, Anceus lies fallen and Atalanta, with two female attendants, aims an arrow at the beast from the far left.
Exhibited
Provenance
Acquired 1977
Acquired 1977
Signature/inscription
Lettered below the image: [1] Upper left: 'Painted by R Wilson' [2] Upper right: ''Engraved by W. Woollett & B. Pouncy.' [3] Centre: 'Engraved from an ORIGINAL PICTURE Painted by R Wilson.' [4] Lower centre, publication line: 'LONDON, Printed for R.SAYER & J. BENNETT, No. 53 Fleet Street, as the Act directs, 1st. December, 1779.'
Lettered below the image:
[1] Upper left: 'Painted by R Wilson'
[2] Upper right: ''Engraved by W. Woollett & B. Pouncy.'
[3] Centre: 'Engraved from an ORIGINAL PICTURE Painted by R Wilson.'
[4] Lower centre, publication line: 'LONDON, Printed for R.SAYER & J. BENNETT, No. 53 Fleet Street, as the Act directs, 1st. December, 1779.'
Techniques and materials
Collectors' marks
Verso inscriptions
[1] Accession number lower right
[1] Accession number lower right
Mount inscriptions
Labels
Subject
The subject is taken from the Roman poet, Publius Ovidius Naso (20 March 43 BC - AD 17/18) known as Ovid. The lovers Meleager and Atalanta killed a huge boar sent by the goddess Diana to devastate the countryside of Calydon. Meleager presented the hide to Atalanta but his uncles, the sons of Thestius, took it from her, whereupon he killed them, leading to his own death (<span class="italic">Metamorphoses</span> Book VIII, lines 260-546).
The subject is taken from the Roman poet, Publius Ovidius Naso (20 March 43 BC - AD 17/18) known as Ovid. The lovers Meleager and Atalanta killed a huge boar sent by the goddess Diana to devastate the countryside of Calydon. Meleager presented the hide to Atalanta but his uncles, the sons of Thestius, took it from her, whereupon he killed them, leading to his own death (
Metamorphoses
Book VIII, lines 260-546).
Related Subjects
Related Drawings
D167 <i>Study of an antique Altar</i>, Victoria & Albert Museum, London (Dyce.661)
D167
Study of an antique Altar
, Victoria & Albert Museum, London (Dyce.661)
Related Prints
E23 Richard Earlom, <i>Meleager and Atalanta</i>, 1771, The British Museum (2006,U.403) and other impressions E55 William Woollett and Benjamin Pouncy after Wilson, <i>Meleager and Atalanta</i>, 1794, Royal Academy of Arts, London and other impressions
E23 Richard Earlom,
Meleager and Atalanta
, 1771, The British Museum (2006,U.403) and other impressions
E55 William Woollett and Benjamin Pouncy after Wilson,
Meleager and Atalanta
, 1794, Royal Academy of Arts, London and other impressions
Versions
See 'Links' tab
See 'Links' tab
Related Paintings
P163 <i>Meleager and Atalanta</i>, Tate, London
P163
Meleager and Atalanta
, Tate, London
Related Works by Other Artists
NWD406 Ascribed to John Hamilton Mortimer after Wilson, <i>Meleager and Atalanta</i>
NWD406 Ascribed to John Hamilton Mortimer after Wilson,
Meleager and Atalanta
Critical commentary
The first recorded owner of P163 <i>Meleager and Atalanta</i>, Tate, London, was the print and map publisher, Robert Sayer, who commissioned Richard Earlom to produce a mezzotint after the painting, published in 1771 (E23). Sayer went on publish the present engraving by Woollett and Pouncy in 1779 and a further one by the same printmakers in 1794 (E55) - testaments to the enduring popularity of the subject. He paid John Hamilton Mortimer to replace some of the figures with his own, to the understandable annoyance of Wilson. Probably at the latter's insistence the distinction between the artists was recorded in the lettering of later states of this print.
The first recorded owner of P163
Meleager and Atalanta
, Tate, London, was the print and map publisher, Robert Sayer, who commissioned Richard Earlom to produce a mezzotint after the painting, published in 1771 (E23). Sayer went on publish the present engraving by Woollett and Pouncy in 1779 and a further one by the same printmakers in 1794 (E55) - testaments to the enduring popularity of the subject. He paid John Hamilton Mortimer to replace some of the figures with his own, to the understandable annoyance of Wilson. Probably at the latter's insistence the distinction between the artists was recorded in the lettering of later states of this print.
Previous Cat/Ref Nos
Object ID: 40376
Object ID: 40376
Bibliography
Booth Notes Doc. 4; Edwards 1808, p. 88; Fagan 1885, pp. 46-47, cat.103, variant of 5th State; WGC pp. 42, 166, under pl. 25b; Simon 1979; Simon 1981; Wilson and Europe 2014, p. 289 (a later impression)
Booth Notes Doc. 4; Edwards 1808, p. 88; Fagan 1885, pp. 46-47, cat.103, variant of 5th State; WGC pp. 42, 166, under pl. 25b; Simon 1979; Simon 1981; Wilson and Europe 2014, p. 289 (a later impression)
Link to WG Constable Archive Record
Location featured in work
More Information
A later impression with different lettering distinguishing the roles of Wilson (landscape) and John Hamilton Mortimer (figures) is at the British Museum (1842,1112.36). This was exhibited at the Tercentenary Exhibition (108)
A later impression with different lettering distinguishing the roles of Wilson (landscape) and John Hamilton Mortimer (figures) is at the British Museum (1842,1112.36). This was exhibited at the Tercentenary Exhibition (108)
Condition/Conservation
Trimmed to platemark. Good condition.
Trimmed to platemark. Good condition.
Illustrations of the Work
Updated by Compiler
Work of Art
Drawings
Richard Wilson (1713/14-1782),
Study of an antique Altar
, Victoria & Albert Museum, London
Prints
Richard Earlom after Wilson,
Meleager and Atalanta
, The British Museum
Richard Earlom after Wilson,
Meleager and Atalanta
, National Museum Wales, Cardiff
William Woollett (1735-1785) and Benjamin Thomas Pouncy after Wilson,
Meleager and Atalanta
, Royal Academy of Arts, London
Thomas Hastings after Wilson,
The Murder
, The British Museum
Versions
William Woollett (1735-1785) and Benjamin Thomas Pouncy after Wilson,
Meleager and Atalanta
, The British Museum
Paintings
Richard Wilson (1713/14-1782),
Meleager and Atalanta
, Tate, London
Works by Other Artists
Ascribed to John Hamilton Mortimer after Wilson,
Meleager and Atalanta
Exhibitions
Biographies
Paul Mellon, 1907-1999
William Woollett, 1735-1785
Documents
William George Constable,
Richard Wilson
Martin Postle & Robin Simon,
Richard Wilson and the Transformation of European Landscape Painting
Edward Edwards,
Anecdotes of Painters who have resided or been born in England; with critical Remarks on their Productions
Louis Fagan,
A Catalogue Raisonné of the engraved Works of William Woollett
Robin Simon, 'New Light on Richard Wilson'
Robin Simon, 'Richard Wilson's
Meleager and Atalanta
'
Benjamin Booth, Unpublished Notes, Document 4
Part of a sketchbook
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