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Caernarvon Castle
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Work of Art items where Versions matches 'P12'
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Caernarvon Castle
Credit Line
The Detroit Institute of Arts / The Bridgeman Art Library
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Artist
Richard Wilson (1713/14-1782)
Title
Caernarvon Castle
Date
c.1744-45 (undated)
Medium
Oil on canvas
Dimensions
82.6 x 114.3 cm
Dimensions
32 1/2 x 45 in.
Details
Links
Collection
Detroit Institute of Arts, Detroit. To license images click here.
Accession Number
1998.1
Wilson Online Reference
P12
Description
The castle is shown from the south, with the triple-turreted Eagle Tower at its western end and the Isle of Anglesey visible to the northwest. The castle's massive scale has been reduced and the artist has transformed it into a vegetation-covered ruin - most likely as an allusion to the inevitable effects of time and the transience of worldly glory - moralising sentiments commonly associated with ruins in the 18th century. Wilson has also turned the River Seiont into a sea-inlet or small lake and moved Twt Hill closer to the castle on the right. Most noticeably, the bustling port of Caernarvon has been virtually eliminated.
The castle is shown from the south, with the triple-turreted Eagle Tower at its western end and the Isle of Anglesey visible to the northwest. The castle's massive scale has been reduced and the artist has transformed it into a vegetation-covered ruin - most likely as an allusion to the inevitable effects of time and the transience of worldly glory - moralising sentiments commonly associated with ruins in the 18th century. Wilson has also turned the River Seiont into a sea-inlet or small lake and moved Twt Hill closer to the castle on the right. Most noticeably, the bustling port of Caernarvon has been virtually eliminated.
Exhibited
London, Cardiff and New Haven, 1982-83 (7); Washington 1985-86 (318); New York 2010 (2)
London, Cardiff and New Haven, 1982-83 (7); Washington 1985-86 (318); New York 2010 (2)
Provenance
Sir Charles Tennant 1st Bart (1823-1906), The Glen, Innerleithen, Peebleshire, Scotland; his daughter, the Hon. Mrs Walter Elliot, later Baroness Elliot of Harwood, D.B.E. (d. 1997); acquired 1998 by the Detroit Institute of Arts
Sir Charles Tennant 1st Bart (1823-1906), The Glen, Innerleithen, Peebleshire, Scotland; his daughter, the Hon. Mrs Walter Elliot, later Baroness Elliot of Harwood, D.B.E. (d. 1997); acquired 1998 by the Detroit Institute of Arts
Signature/inscription
Unsigned, undated
Unsigned, undated
Techniques and materials
Collectors' marks
Verso inscriptions
Mount inscriptions
Labels
Subject
Located on the banks of the River Seiont in northwest Wales, Caernarvon Castle was built in 1283-84 for King Edward I of England, following his conquest of Wales, and while under construction, was the birthplace of his son Edward, later to be given the title of Prince of Wales. It was the most magnificent of the four castles built by Edward I in North Wales and was intended by him to serve as the seat of government.
Located on the banks of the River Seiont in northwest Wales, Caernarvon Castle was built in 1283-84 for King Edward I of England, following his conquest of Wales, and while under construction, was the birthplace of his son Edward, later to be given the title of Prince of Wales. It was the most magnificent of the four castles built by Edward I in North Wales and was intended by him to serve as the seat of government.
Related Subjects
Related Drawings
Related Prints
E27 William Byrne after Richard Wilson, <i>Caernarvon Castle</i> publ. Boydell, 1775 & other impressions
E27 William Byrne after Richard Wilson,
Caernarvon Castle
publ. Boydell, 1775 & other impressions
Versions
See 'Links' tab
See 'Links' tab
Related Paintings
Related Works by Other Artists
[1] Joseph Wright of Derby, <i>Caernarvon Castle by Moonlight</i>, c.1780-85, Manchester City Galleries (1905.7) [2] William James Müller (1812-1845), <i>Caernarfon Castle, North Wales</i>, 1834. Christie's South Kensington, 14 November 2013 (147)
[1] Joseph Wright of Derby,
Caernarvon Castle by Moonlight
, c.1780-85, Manchester City Galleries (1905.7)
[2] William James Müller (1812-1845),
Caernarfon Castle, North Wales
, 1834. Christie's South Kensington, 14 November 2013 (147)
Critical commentary
This was the first of the artist's pictures of Caernarvon and the earliest of his identified Welsh landscapes. It has been noted by Francis Russell and others that it was not conceived as a topographically accurate record, unlike the later P12C, painted for James Brydges, Marquis of Caernarvon. Wilson's many liberties with the topographical facts of the area prefigure the observation of his pupil, Joseph Farington that 'Wilson when he painted views seldom adhered to the scene as it was.' These modifications have produced a tranquil view of a picturesque ruin in an idyllic rural setting, its form reflected in mirror-smooth water under a luminous sky. In the distance peasants go quietly about their labours while in the foreground, two well-dressed gentlemen, including an artist, engage in leisurely pursuits.
This was the first of the artist's pictures of Caernarvon and the earliest of his identified Welsh landscapes. It has been noted by Francis Russell and others that it was not conceived as a topographically accurate record, unlike the later P12C, painted for James Brydges, Marquis of Caernarvon. Wilson's many liberties with the topographical facts of the area prefigure the observation of his pupil, Joseph Farington that 'Wilson when he painted views seldom adhered to the scene as it was.' These modifications have produced a tranquil view of a picturesque ruin in an idyllic rural setting, its form reflected in mirror-smooth water under a luminous sky. In the distance peasants go quietly about their labours while in the foreground, two well-dressed gentlemen, including an artist, engage in leisurely pursuits.
Previous Cat/Ref Nos
Bibliography
Pennant 1784, pp. 214-19; Farington Diary, vol. 9, 15 December 1808; WGC, p. 173; Solkin 1982, pp. 148-49; Wilton 1984, p. 57; Feigen 2010, unpaginated
Pennant 1784, pp. 214-19; Farington Diary, vol. 9, 15 December 1808; WGC, p. 173; Solkin 1982, pp. 148-49; Wilton 1984, p. 57; Feigen 2010, unpaginated
Link to WG Constable Archive Record
Location featured in work
More Information
Condition/Conservation
The delicate palette and intricately elaborated surfaces are rococo in accent but the overall design is based on a compositional type evolved by Gaspard Dughet in the 17th century and often employed by Wilson's contemporaries, John Wootton and George Lambert.
The delicate palette and intricately elaborated surfaces are rococo in accent but the overall design is based on a compositional type evolved by Gaspard Dughet in the 17th century and often employed by Wilson's contemporaries, John Wootton and George Lambert.
Illustrations of the Work
Updated by Compiler
Work of Art
Prints
William Byrne (1743-1805) after Wilson,
Carnarvon Castle
, The British Museum
William Byrne (1743-1805) after Wilson,
Carnarvon Castle
, Yale Center for British Art, Paul Mellon Collection, New Haven
William Byrne (1743-1805) after Wilson,
Prospect of Caernarfon Castle from the North
, The National Library of Wales, Aberystwyth
William Byrne (1743-1805) after Wilson,
Carnarvon Castle, the Birthplace of Edward II, in North Wales
, The British Museum
William Byrne (1743-1805) after Wilson,
Caernarvon Castle
, National Museum Wales, Cardiff
Versions
Richard Wilson (1713/14-1782)
Summer Evening (Caernarvon Castle) (Formerly Conway Castle)
, Yale Center for British Art, Paul Mellon Collection, New Haven
Richard Wilson (1713/14-1782)
Caernarvon Castle
, Yale Center for British Art, Paul Mellon Collection, New Haven
Richard Wilson (1713/14-1782)
Caernarvon Castle
, National Museum Wales, Cardiff
Richard Wilson (1713/14-1782)
Caernarvon Castle with Anglesea in the Distance
, Private Collection, England
Exhibitions
London, Tate Gallery, Cardiff, National Museum of Wales, and New Haven, Conn., Yale Center for British Art, 3 November 1982 - 19 June 1983
New York, Richard L. Feigen & Co., 29 April - 25 June 2010
Washington D.C., National Gallery of Art, 3 November 1985 - 16 March 1986
Biographies
Sir Charles Tennant, 1st Bart, 1823-1906
John Wootton, c.1682-1764
George Lambert, 1700-1765
Documents
William George Constable,
Richard Wilson
David Solkin,
Richard Wilson: The Landscape of Reaction
Andrew Wilton,
Turner in Wales
Richard Feigen and Ann Guité,
Richard Wilson and the British Arcadia
Part of a sketchbook
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