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    300 years
    "Booth, M." Is linked to these Works of Art
    of 118

    The White Monk

    The White Monk
    The White Monk
    The White Monk
    The Trustees of the British Museum
    title=Credit line
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    Artist
    Thomas Hastings after Wilson
    Title
    The White Monk
    Date
    Published 5 November 1822
    Medium
    Etching on chine collé
    Dimensions
    Metric: 177 x 228 mm
    Imperial: 7 x 9 in.
    Collection
    The British Museum. To license image, click here
    Accession Number
    1854,0708.79
    Wilson Online Reference
    E72/22
    Description
    Landscape with two figures praying before a wayside cross on a rocky promontory at the left, with woods and a waterfall beside. In the right foreground two lovers sit beneath a parasol, one turning to look at a figure passing on horseback in the centre. A town is visible across the river or lake in the right background, with mountains beyond.
    Provenance
    Bought from George Willis, Piazza, Covent Garden, 1854
    Signature/inscription
    Lettered below the image with the title, 'The Original is in the Possession of Lady Ford - / 23 I - long by 18 I - broad.'; production details and publication line: 'Painted by R Wilson. RA.' 'Etched by T. Hastings - and | published in London Nov 5 1822.'
    Page numbered lower right: 23
    Related Drawings
    D344 Banks of the Tiber 1757, Rhode Island Museum of Art, School of Design, Providence
    Related Prints
    E17 James Roberts after Wilson, The White Monk (Untitled) The British Museum
    E68 Anonymous after Wilson, The White Monk (Stafford Gallery), The British Museum
    E70 Samuel Middiman after Wilson, The White Monk (Untitled), The British Museum
    Related Paintings
    Richard Wilson The White Monk - I, formerly Lady Vere Bidlake, Kingswood (1953) - current location unknown
    Critical commentary
    From a series of forty etchings after paintings by Richard Wilson and additional title page, bound in a volume in red tooled leather with gold decorative border, lettered on the spine with 'Wilson's | Etchings | by | Hastings'; the title page lettered in black and red: 'Etchings, | from the Works | of | [ facsimile of signature below portrait] Ric. Wilson | with Some Memoirs of his Life, &c. | by Thomas Hastings, Esq. | Collector of His Majesty's Customs. | "Non Ductus Officio Sed Amore Operis." Quintillian. | Published by Hurst, Robinson & Co. Cheapside, London. | Johnson, Typ. Apollo Press, 1825. Brook Street, Holborn'; containing twenty pages of Introductory and Concluding Remarks by the etcher, including descriptions of Richard Wilson's original paintings.
    The title 'The White Monk' was first linked to this composition in the lettering of Hastings's print.
    Previous Cat/Ref Nos
    PRA324441
    Bibliography
    Hastings 1825; WGC, p. 227 under pl. 122a; Yule 2015, pp. 60 & 69
    More Information
    George Willis was an antiquarian book dealer, who occasionally published books and prints. His firm was active from 1832-1856 and sold many prints to the British Museum. In 1856 it merged with Thomas Sotheran to become Willis & Sotheran.
    Updated by Compiler
    09/12/2015

    Work of Art

    Drawings

    • Richard Wilson (1713/14-1782), Banks of the Tiber 1757, Rhode Island Museum of Art, School of Design, Providence

    Prints

    • James Roberts after Wilson, The White Monk (Untitled), The British Museum
    • Anonymous after Wilson, The White Monk (Stafford Gallery), The British Museum
    • Samuel Middiman after Wilson, The White Monk (Untitled), The British Museum

    Biographies

    • Captain Thomas Hastings (1778-1854)
    • Marianne Booth, Lady Ford (1767-1849)

    Documents

    • Thomas Hastings, Etchings from the Works of Ric. Wilson, with some Memoirs of his Life &c.
    This print is part of the "Etchings from the Works of Richard Wilson British Museum" sketchbook
    View sketchbook pages
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