Skip to content
Log inRegister
    HomePaintingsDrawingsPrintsBrowse all worksWilson collectionsWilson collections mapTercentenary exhibitionOther exhibitionsProject highlightsThemes and mediaBiographiesBibliographical Resources
    Advanced search
    Work of ArtBiographiesExhibitionsBibliographical Resources
    Settings
    Pages
    300 years
    "Byrne" Is linked to these Works of Art
    of 18

    Landscape - A Traveller with a Dog on a Road [untitled]

    Landscape - A Traveller with a Dog on a Road [untitled]
    Landscape - A Traveller with a Dog on a Road [untitled]
    Landscape - A Traveller with a Dog on a Road [untitled]
    The Trustees of the British Museum
    title=Credit line
    Larger imageShareFeedback
    Artist
    William Byrne (1743-1805) after Wilson
    Title
    Landscape - A Traveller with a Dog on a Road [untitled]
    Date
    Published 1 August 1765
    Medium
    Etching
    Dimensions
    Metric: 335 x 420 mm
    Imperial: 13 3/16 x 16 1/2 in.
    Collection
    The British Museum. To license image, click here
    Accession Number
    1869,0410.1036
    Wilson Online Reference
    E15B
    Description
    A traveller is shown with a dog on a road in the foreground, asking a woman who sits knitting at the roadside for directions. Further left on the bank beyond a framing tree a man drawing in or consulting an open book is watched by a standing peasant. There is a valley below and classical buildings on a peak to the right, with a bridge or aqueduct and city buildings visible across the plains. Mountains can be seen in the distance. .
    Provenance
    Sotheby's 24-27 February 1869 (174)
    Signature/inscription
    Lettered below image: 'Engraved from the Original Picture Painted by Mr Richard Wilson', production detail: 'Richd. Wilson pinxt', 'Willm. Byrne sculpt' and publication line: 'Publish'd according to Act of Parliament by J. Boydell, Engraver in Cheapside, London. Augt. 1. 1765'; numbered at lower left: 'No. 3'
    Versions
    See 'Links' tab
    Related Paintings
    P52 Tivoli: The Temple of the Sibyl and the Campagna - I, National Museum of Wales, Cardiff
    P142 Tivoli: The Temple of the Sibyl and the Campagna - I , Private Collection, England
    P142B Tivoli: The Temple of the Sibyl and the Campagna - I, Tate, London
    P142C Tivoli: Temple of the Sibyl and the Campagna - I , Museum of Fine Arts, Boston
    Critical commentary
    E15B was engraved by Byrne after P142B Tivoli: The Temple of the Sibyl and the Campagna - I, Tate, London. The print confirms the success of Wilson's Tivoli views painted from memory and imagination in about 1765. However, the prospect is reversed in the print, though it retains the essential elements of any Tivoli view, i.e. the Temple of the Sibyl / Vesta at the summit of the cliffs, the waterfalls and the view over the Roman Campagna. An earlier version of the painting, possibly P52, was used by Wilson in Rome for his students to copy.
    Bibliography
    Edwards 1808, p. 88

    Work of Art

    Versions

    • William Byrne (1743-1805)after Wilson, Landscape - A Traveller with a Dog on a Road [untitled], The British Museum
    • William Byrne (1743-1805)after Wilson, Tivoli: The Temple of the Sibyl and the Campagna [untitled], Royal Academy of Arts, London
    • William Byrne (1743-1805)after Wilson, Tivoli: The Temple of the Sibyl and the Campagna [untitled], Yale Center for British Art, Paul Mellon Collection, New Haven

    Paintings

    • Richard Wilson (1713/14-1782), Tivoli: The Temple of the Sibyl and the Campagna - I, National Museum of Wales, Cardiff
    • Richard Wilson (1713/14-1782), Tivoli: The Temple of the Sibyl and the Campagna - I , Private Collection, England
    • Richard Wilson (1713/14-1782), Tivoli: The Temple of the Sibyl and the Campagna - I, Tate, London
    • Richard Wilson (1713/14-1782) Tivoli: Temple of the Sibyl and the Campagna - I , Museum of Fine Arts, Boston

    Biographies

    • William Byrne (1743-1805)

    Documents

    • Edward Edwards, Anecdotes of Painters who have resided or been born in England; with critical Remarks on their Productions
    © Richard Wilson OnlineCreditsCopyright & DisclaimerPrivacy