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    "Solkin 1982" Is linked to these Works of Art
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    The Cock Tavern, Cheam, Surrey

    The Cock Tavern, Cheam, Surrey
    The Cock Tavern, Cheam, Surrey
    The Cock Tavern, Cheam, Surrey
    Tate, London 2014
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    Artist
    Ascribed to Wilson
    Title
    The Cock Tavern, Cheam, Surrey
    Date
    c.1745 (undated)
    Medium
    Oil on canvas
    Dimensions
    Metric: 43.6 x 74 cm
    Imperial: 17 1/8 x 29 1/16 in.
    Collection
    Tate, London. To license image, click here.
    Accession Number
    N03136
    Wilson Online Reference
    P15
    Description
    The view is probably south towards Banstead Downs, Surrey. Cheam Common opens out beyond it, while in the distance to the right the building is probably Cheam House.
    Provenance
    Bequeathed by the Revd Augustus Stopford Brooke, 1916
    Signature/inscription
    Unsigned; no inscription
    Techniques and materials
    Primed and stretched canvas. It has a dark ground. The facture, especially of the tavern, trees and water at the right looks later, perhaps nineteenth-century. The style of paint application is Wilson's but some of the greens appear more modern.
    Subject
    The Cock Tavern was probably the Cock Inn, a well-known country coaching inn on the London to Brighton road, located in Sutton, the neighbouring parish to Cheam. It stood beside an unexceptional area of common land about 12 miles south-west of central London. In 1755 the inn became the Cock Hotel, catering for the newly-constructed London to Brighton turnpike.
    Versions
    See 'Links' tab
    Related Works by Other Artists
    Thomas Rowlandson, The Cock Hotel, Sutton, etching and aquatint, 1789
    Critical commentary
    As Solkin has noted, this was apparently the most popular of Wilson's early landscapes, to judge by the fact that it survives in four versions. Yet prima facie P15 does not look like Wilson. The composition and colour are close to Esias van de Velde's Wooded River Landscape (Sotheby's 14 April 2011 (108)). Certainly the work shows the artist at his most Netherlandish and was probably intended for a new group of middle-class buyers whose taste in landscape tended more towards Dutch-style views than to the grandiose pastorals of the classical tradition.
    Bibliography
    Fletcher 1908, repr. opp. p. 160; WGC, p, 171, under pl. 30c; Solkin 1982, pp. 31-33, 150; Waites 2012, pp. 55-56, fig. 18.
    Link to WG Constable Archive Record
    WGC/1/1/34
    More Information
    Described by WGC as 'a smaller version (16 1/4 x 27 1/2 in.)' of P15B in the Tate, London collection. Compared with P15B, this painting omits the table, hollyhocks, sunflowers and figures in the foreground and the figures beyond the water.
    Condition/Conservation
    Dimensions of frame: 68 x 97 cm. Surface cleaned in frame, July 2005.
    Kate Lowry has noted: Original canvas relined. Turnovers lost at the time of lining. Ground is dark in tone. The greens are not convincing as Wilson. The tree near the inn is poorly defined and there is no reserve for the tree against the sky. The water at lower right is glazed and rather blurred.
    Updated by Compiler
    01/04/2020

    Work of Art

    Versions

    • Richard Wilson (1713/14-1782) The Cock Tavern, Cheam Common, UK Government Art Collection
    • Richard Wilson (1713/14-1782) The Cock Tavern at Cheam, Winnipeg Art Gallery

    Exhibitions

    • London, Tate Gallery, Cardiff, National Museum of Wales, and New Haven, Conn., Yale Center for British Art, 3 November 1982 - 19 June 1983

    Biographies

    • The Revd Stopford Augustus Brooke (1832-1916)

    Documents

    • William George Constable, Richard Wilson
    • David Solkin, Richard Wilson: The Landscape of Reaction
    • Beaumont Fletcher, Richard Wilson, R.A.
    • Ian Waites, Common Land in English Painting
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