Lake Avernus - I

This item is active and ready to use
Lake Avernus - I
Lake Avernus - I
Lake Avernus - I
Galerie Hans Hamburg
title=Credit line
Richard Wilson (1713/14-1782)
Lake Avernus - I
c.1765 (undated)
Oil on canvas
Metric: 40.6 x 53 cm
Imperial: 16 x 20 7/8 in.
Wilson Online Reference
A view across the lake towards a large ruined building with hills and mountains beyond. In the foreground, on the left, stand some trees. In the centre, there are three figures, two men, one seated on a log and one woman, or perhaps a monk, gesticulating. To the right are an open ancient sarcophagus, woodland and a hill topped by ancient buildings. Behind the group of figures a man bends down to his boat on the lake and further out another boat is visible.
Andover, Mass., Adelson Gallery of American Art, 10 January - 15 February 1934 (43 - Italian Lake); New Haven, Conn., Gallery of Fine Arts, Eighteenth Century English and Italian Landscape Painting, 1940 (43, repr.); Northampton, Mass., Smith College Museum, 1947 and 1950, lent by Mrs Turner Sargent ; Phoenix Ariz., Phoenix Art Museum, English Landscape Painting, 1 December 1961 - 31 January 1962 (unnumbered)
C.M. Spink, London by 1936; Mrs Turner Sargent; given by her to the Museum of Fine Arts, Boston by 1953; Sotheby's New York, 14 January 1994 (2)
Verso inscriptions
[1] Top left, red paint: PG / 215
[2] Top left below [1] faint red chalk: 20
[1] Upper left corner of stretcher printed: ITALIAN LAKE | Smith College | Museum of Art | LOAN | 240:46
[2] Upper left corner of stretcher below [1] in red ink: Y.G.F.A. | Trt. 1225
[3] Upper left end of horizontal stretcher bar, black ink: WILSON, R. | ITALIAN LAKE. | Bequest of Mrs. Turner-Sargent | 94.171 | 24.4 [?]
[4] Centre of upper stretcher bar, typed: GROUP C 94.171
[5] Bottom of vertical central stretcher bar, printed round red label: GALERIE MATHIAS F. HANS. HAMBURG
Lake Avernus lies on the Tyrrhenian coast of Italy, about a mile from Cumae, filling the crater of an extinct volcano. Mephitic vapours rise from its waters, precluding life on its banks, because of which it was believed to be the entrance to the Underworld by the Ancients. Thus in Virgil's Aeneid, Aeneas sacrifices to the gods in the shadow of the forest surrounding Lake Avernus and then follows the Cumaean Sibyl into her cave and down into the Underworld.
Related Prints
E16 James Roberts after Wilson, A View in Italy, The British Museum
E16A James Roberts after Wilson, Lake Avernus (A View in Italy), National Museum Wales, Cardiff
See 'Links' tab
Critical commentary
The exact location is not certain but has been identified as including the 'Temple of Apollo' and the scene is based on views in the Phlegraean Fields, rearranged with Wilsonian licence. The elements are Lake Avernus, Lake Lucrino (middle distance), the Bay of Baia (distance). The mountain is Monte Gauro.
Boston Museum of Fine Arts, Catalogue of Paintings, 1921, p. 159, no. 460; WGC, pp. 194, 279, pl. 69a (version 3); Alexandra R. Murphy, European Paintings in the Museum of Fine Arts, Boston: An Illustrated Summary Catalogue, 1985, p. 301, repr.
Updated by Compiler
2021-11-30 00:00:00