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"London, Cardiff and New Haven 1982-83" is linked to these Works
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'L'Anconetta near Venice'
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'L'Anconetta near Venice'
'L'Anconetta near Venice'
Private Collection, England / Photograph by John Hammond
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Artist
Richard Wilson (1713/14-1782)
Title
'L'Anconetta near Venice'
Date
c.1765 (undated)
Medium
Oil on canvas
Dimensions
Metric: 16.5 x 22.9 cm
Imperial: 6 1/2 x 9 in.
Details
Links
Collection
Private Collection, England
Accession Number
BB21
Wilson Online Reference
P149
Exhibited
Brighton 1920 (31 -
Seascape
); Exeter 1946 (57 -
Seascape, near Venice
); London 1968 (9); London, Cardiff and New Haven, 1982-83 (109); Conwy 2009 (17); Weston 2011 (19); Gainsborough's House 2014 (unnumbered)
Provenance
Benjamin Booth
; thence by descent
Subject
This painting depicts the small church of Sta Maria dell'Anconetta. L'Anconetta is a small island near Marghera, off Mestre, on which the church of Sta Maria dell'Anconetta was built. The church and its community were dependent on the Patriarch of Venice.
Related Drawings
D193 Studio of Wilson,
The Island of Anconetta, Venice
, Fitzwilliam Museum, Cambridge
Related Prints
E72/25 Thomas Hastings after Wilson,
Untitled ['L'Anconetta near Venice']
, The British Museum (1854,0708.82) and other impressions
Critical commentary
Luke Herrmann noted that the style of this dramatic landscape though dark, was reminiscent of Francesco Guardi (Walpole Society 1998-I, p. 16) and Gareth Williams has commented that it is likely, with its loose handling of paint, to have been produced after Wilson's return to England. However, this style, combined with the small size of the work, could argue as easily for a later date towards the end of the artist's career. The title comes from Benjamin Booth's list but the buildings are not identical with those in Wilson's other views of the island of Anconetta (P113 and other versions) or that by Guardi. There are similarities between the tower, its two upper openings and the arched superstructure with elements of the Torre delle Grotte (see P70).
Bibliography
Booth Notes Doc. 9 (*2); WGC, pp. 79, 193, pl. 66c; Solkin 1982, p. 219, no. 109; Walpole Society 1998-I, p. 16, BB21; Lord 2009, p. 56, no. 17; Williams 2011, p. 30, repr.
Link to WG Constable Archive Record
WGC/1/1/77
More Information
The title was given by Benjamin Booth in the 1790s. A small church called Sta Maria l'Anconetta existed in Venice near San Marcuola until it was demolished in 1855.
Updated by Compiler
2021-11-16 00:00:00
Work of Art
Drawings
Studio of Wilson,
The Island of Anconetta, Venice
, Fitzwilliam Museum, Cambridge
Prints
Thomas Hastings after Wilson,
Untitled (The Island of Anconetta, Venice)
, The British Museum
Exhibitions
London, Tate Gallery, Cardiff, National Museum of Wales, and New Haven, Conn., Yale Center for British Art, 3 November 1982 - 19 June 1983
Brighton, Fine Art Galleries, 28 February - 2 May 1920
Conwy, Royal Cambrian Academy, 24 October - 23 December 2009
Weston Park, The Granary Art Gallery, 2 April - 3 July 2011
London, Royal Academy, 14 December 1968 - 2 March 1969
Exeter, Royal Albert Memorial Museum, 7 March - 5 April 1946
Sudbury, Gainsborough's House, 11 January - 31 May 2014
Biographies
Benjamin Booth (1732-1807)
Sir Brinsley Ford (1908-1999)
The Revd Richard Salwey Booth (1762-1807)
Elizabeth Booth (1763-1819)
Marianne Booth, Lady Ford (1767-1849)
Sir Richard Ford (1758-1806)
Documents
William George Constable,
Richard Wilson
David Solkin,
Richard Wilson: The Landscape of Reaction
Peter Lord,
Richard Wilson. Life & Legacy
Brinsley Ford and other authors,
The Ford Collection
Gareth Williams,
Masterpieces from the Ford Collection
Benjamin Booth, Unpublished Notes, Document 9: List of Wilson's Landscapes with Sizes and former Owners