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    300 years
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    A Roman Relief showing a Poultry Shop

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    A Roman Relief showing a Poultry Shop
    A Roman Relief showing a Poultry Shop
    A Roman Relief showing a Poultry Shop
    Private Collection, England / Photograph by John Hammond
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    Artist
    Richard Wilson (1713/14-1782)
    Title
    A Roman Relief showing a Poultry Shop
    Date
    c.1752-53 (undated)
    Medium
    Black chalk, heightened with white, on blue-grey paper
    Dimensions
    Metric: 114 x 197 mm
    Imperial: 4 1/2 x 7 3/4 in.
    Collection
    Private Collection, England
    Accession Number
    RF81
    Wilson Online Reference
    D227
    Exhibited
    London 1925 (88A); Exeter 1946 (22 - Classical Frieze); Tercentenary 2014 (31)
    Provenance
    William Lock of Norbury; his sale, Sotheby's, London 3-7 May 1821; Marianne Ford; thence by descent
    Signature/inscription
    Unsigned; no inscription
    Verso inscriptions
    [1] In Wilson's hand: [m]ontibus umbrae lustrabunt [convexa]
    Subject
    The original stone relief (now in the Torlonia Collection, Rome) was, in Wilson's day, in the collection of Cardinal Albani in the Casino of the Villa Albani, Via Salaria, Rome.
    Related Drawings
    D319 Fontana dello Scoglio, Birmingham Museums & Art Gallery
    Critical commentary
    Such an apparently commonplace subject might seem unusual for Wilson. However, the relief bears an inscription from Virgil's Aeneid, Book 1, Line 607, which no doubt caught the imagination of the artist, whose knowledge of Latin literature was remarked on at the time. Three Latin words written by Wilson on the reverse of the drawing are taken from this inscription, which in turn forms part of the speech of Aeneas to Dido in the first book of the Aeneid, lines 595-610. It may be translated as '[while] the shadows of the mountains move in procession round the curves of the valleys' [and continues in translation as:] while the sky feeds the stars, your honour, your name and your praise will remain for ever in every land to which I am called.' Wilson had an introduction to Cardinal Albani when he arrived in Rome and through this seems to have gained access to the cardinal's collections as well as other areas of Rome inaccessible to most, such as the Pope's private gardens (cf. D319 Fontana dello Scoglio, Birmingham Museums & Art Gallery).
    Bibliography
    S. Reinach, Répertoire des Reliefs, III, Paris 1912, p. 346; Ford 1951, p. 54, pl. 16; Walpole Society 1998-I, p. 71, RF81; Wilson and Europe 2014, p. 226

    Work of Art

    Drawings

    • Fontana dello Scoglio, Birmingham Museums & Art Gallery

    Exhibitions

    • Exeter, Royal Albert Memorial Museum, 7 March - 5 April 1946
    • New Haven, Yale Center for British Art & Cardiff, Amgueddfa Cymru - National Museum Wales, 6 March - 29 October 2014

    Biographies

    • William Lock 'of Norbury' (1732-1810)
    • Richard Ford (1796-1858)
    • Sir Brinsley Ford (1908-1999)
    • Marianne Booth, Lady Ford (1767-1849)
    • Sir Francis Clare Ford (1828-1899)
    • John G. Ford (-1917)

    Documents

    • Brinsley Ford, The Drawings of Richard Wilson
    • Martin Postle & Robin Simon, Richard Wilson and the Transformation of European Landscape Painting
    • Brinsley Ford and other authors, The Ford Collection
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