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The Garden of the Villa Madama
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The Garden of the Villa Madama
The Garden of the Villa Madama
National Museum Wales, Cardiff
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Artist
Richard Wilson (1713/14-1782)
Title
The Garden of the Villa Madama
Date
Undated
Medium
Oil on canvas
Dimensions
Metric: 63.5 x 76.5 cm
Imperial: 25 x 30 1/8 in.
Details
Links
Collection
National Museum Wales, Cardiff. To license image, click here.
Accession Number
NMW A 5193
Wilson Online Reference
P91D
Description
In a shady glade, a lane runs across the foreground and on the left a man and a woman greet a friar. A rustic building is at the centre, overhung by trees, while to the right on a gentle slope, a line of trees is silhouetted against the sunset sky.
Exhibited
Brighton 1920 (9 -
The Hermitage
)
Provenance
Benjamin Booth
;
the Revd R.S. Booth
;
Marianne Booth
,
Lady Ford
; by descent to
Captain Richard Ford
; his sale Christie's 14 June 1929 (12 -
The Hermitage
); bt Agnew (440 guineas);
Frederick John Nettlefold
, Chelwood Vachery, Nutley, Sussex; presented by F.J. Nettlefold, 1946
Signature/inscription
Unsigned; no inscription
Techniques and materials
The double layer of white priming and the range of pigments are typical of Wilson's work, though the coarse canvas weave is a little unusual.
Subject
The Villa Madama was designed by Raphael for Cardinal Giuliano dei Medici (later Pope Clement VII) and took its name from having been occupied by Margaret of Austria, daughter of the Emperor Charles V, and Duchess of Parma, in the late 16th century. The location shown was probably called 'Il Teatro' as the tragicomedy
Il Pastor Fido
by G.B. Guarini was performed there in about 1590. From this the libretto of Handel's eponymous opera was derived (1712, revived 1734).
Related Prints
E14 William Byrne after Wilson
A View in the Villa Madama, near Rome, called Il Teatro
, 1765, Yale Center for British Art, Paul Mellon Collection, New Haven & other impressions
Versions
See 'Links' tab
Critical commentary
Although technical analysis has provided no evidence to suggest that this is anything other than a work by Wilson himself the quality of the paintwork as discernible through the varnish and the lack of descriptive detail compared with other versions locate the painting as at best of replica status. However, Booth lists two pictures, one a sketch and one 'Finishd' (Booth Notes Doc. 9, p. 2, nos 42 & 43). The present work is likely to be the former; the other version is untraced. The composition was clearly one of Wilson's 'good breeders' as at least five authentic versions are known.
Previous Cat/Ref Nos
619
Bibliography
Booth Notes Doc. 5, p. 2; Booth Notes Doc. 8, p. 1; Booth Notes Doc. 9 (42); Fletcher 1908, pp. 96, 192; Grundy & Roe, vol. 4, pp. 154-55 -
The Hermitage
, repr. col.; WGC, p. 203
Condition/Conservation
There is no evidence from X-ray or infra-red imagery. However, a very thick layer of discoloured resin varnish currently obscures the paint surface. Kate Lowry has noted: Original canvas is loose, coarse, uneven weave, approx. 10 x 10 threads per sq. cm. The texture of the original canvas is fairly dominant throughout the painting especially through the mid-tones of the background. Original canvas turnovers have been removed at the time of lining. Lined onto a fine, close weave linen with glue-paste adhesive. Two old tears pre-date the lining. Pine stretcher dates from lining. Oil ground consists of two layers of white. Some red/brown underpaint in the foliage is visible through drying crackle. Fine mature crackle throughout. Some fine drying crackle in the foliage. The central area has been partially cleaned in the past and the discoloured varnish layer is considerably thicker around the edges of the painting and in the dark tones.
Work of Art
Prints
William Byrne (1743-1805) after Wilson,
A View in the Villa Madama, near Rome, called II Teatro
, Yale Center for British Art, Paul Mellon Collection, New Haven
William Byrne (1743-1805) after Wilson,
A view in the Villa Madama, near Rome, called Il Teatro: Pastor Fido & other dramas having been performed there
, Victoria & Albert Museum, London
William Byrne (1743-1805) after Wilson,
A view in the Villa Madama, near Rome, called Il Teatro: Pastor Fido & other Dramas having been perform'd there
, The British Museum
William Byrne (1743-1805) after Wilson,
A View in the Villa Madama near Rome called Il Teatro
, Royal Academy of Arts
William Byrne (1743-1805) after Wilson,
View in the Villa Madama
, National Museum Wales, Cardiff
Versions
Richard Wilson (1713/14-1782)
The Hermitage, Villa Madama
, Petworth House, National Trust
Richard Wilson (1713/14-1782)
The Hermitage, Villa Madama
, Hagley Hall, Worcestershire
Richard Wilson (1713/14-1782)
The Hermitage, Villa Madama
, Private Collection, England
Wilsonand Studio,
The Hermitage, Villa Madama
, Private Collection, Wales
Richard Wilson (1713/14-1782)
The Hermitage, Villa Madama
, Johannesburg Art Gallery, Johannesburg
Exhibitions
Brighton, Fine Art Galleries, 28 February - 2 May 1920
Biographies
Benjamin Booth (1732-1807)
Richard Ford (1796-1858)
The Revd Richard Salwey Booth (1762-1807)
Marianne Booth, Lady Ford (1767-1849)
Sir Francis Clare Ford (1828-1899)
Captain Richard Ford (1860-1940)
Frederick John Nettlefold (1867-1949)
Documents
C. Reginald Grundy & F. Gordon Roe,
A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettlefold
Benjamin Booth, Unpublished Notes, Document 5: List of Wilson's Works with Owners
Benjamin Booth, Unpublished Notes, Document 8: List of Wilson's Paintings and Works by Old Masters and other Artists in Booth's Collection
Benjamin Booth, Unpublished Notes, Document 9: List of Wilson's Landscapes with Sizes and former Owners