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Meleager and Atalanta
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Meleager and Atalanta
Meleager and Atalanta
The Trustees of the British Museum
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Artist
William Woollett (1735-1785) and Benjamin Thomas Pouncy after Wilson
Title
Meleager and Atalanta
Date
1779 (undated)
Medium
Etching
Dimensions
Metric: 442 x 552 mm
Imperial: 17 3/8 x 21 3/4 in.
Details
Links
Collection
The British Museum.
To license image, click here
Accession Number
1978,U.299
Wilson Online Reference
E46A
Description
A wild landscape with a castle and aqueduct in the distance is shown against a stormy sky. In a clearing before a waterfall a group of men surround an enormous boar and Meleager, on horseback, drives a spear into it. His colleague, Anceus lies fallen and Atalanta, with two female attendants, aims an arrow at the beast from the far left.
Provenance
Acquired 1978
Signature/inscription
Scratched below the image:
[1] Lower left: 'Painted by R Wilson'
[2] Lower right: 'The Figures by W. Woollett. the Landscape by B T Pouncy'
Subject
The subject is taken from the Roman poet, Publius Ovidius Naso (20 March 43 BC - AD 17/18) known as Ovid. The lovers Meleager and Atalanta killed a huge boar sent by the goddess Diana to devastate the countryside of Calydon. Meleager presented the hide to Atalanta but his uncles, the sons of Thestius, took it from her, whereupon he killed them, leading to his own death (
Metamorphoses
Book VIII, lines 260-546).
Related Drawings
D167
Study of an antique Altar
, Victoria & Albert Museum, London (Dyce.661)
Related Prints
E23 Richard Earlom,
Meleager and Atalanta
, 1771, The British Museum (2006,U.403) and other impressions
E55 William Woollett and Benjamin Pouncy after Wilson,
Meleager and Atalanta
, 1794, Royal Academy of Arts, London (PL006185) and other impressions
Versions
See 'Links' tab
Related Works by Other Artists
NWD406 Ascribed to John Hamilton Mortimer after Wilson,
Meleager and Atalanta
Critical commentary
The first recorded owner of P163
Meleager and Atalanta
, Tate, London, was the print and map publisher, Robert Sayer, who commissioned Richard Earlom to produce a mezzotint after the painting, published in 1771 (E23). Sayer went on publish the present engraving by Woollett and Pouncy in 1779 and a further one by the same printmakers in 1794 (E55), testaments to the enduring popularity of the subject. He paid John Hamilton Mortimer to replace some of the figures with his own, to the understandable annoyance of Wilson. Probably at the latter's insistence the distinction between the artists was recorded in the lettering of this and other later states of this print.
Bibliography
Edwards 1808, p. 88; Fagan 1885, p. 46, cat. 103, 2nd State; WGC pp. 42, 166, under pl. 25b; Simon 1979; Simon 1981; Wilson and Europe 2014, p. 289 (a later impression)
More Information
A later impression with different lettering distinguishing the roles of Wilson (landscape) and John Hamilton Mortimer (figures) is at the British Museum (1842,1112.36). This was exhibited at the Tercentenary Exhibition (108)
Condition/Conservation
Etched state before engraving and publication line added
Work of Art
Drawings
Richard Wilson (1713/14-1782),
Study of an antique Altar
, Victoria & Albert Museum, London
Prints
Richard Earlom after Wilson,
Meleager and Atalanta
, The British Museum
Richard Earlom after Wilson,
Meleager and Atalanta
, National Museum Wales, Cardiff
William Woollett (1735-1785) and Benjamin Thomas Pouncy after Wilson,
Meleager and Atalanta
, Royal Academy of Arts, London
Versions
William Woollett (1735-1785) and Benjamin Thomas Pouncyafter Wilson,
Meleager and Atalanta
, Yale Center for British Art, Paul Mellon Collection, New Haven
Paintings
Richard Wilson (1713/14-1782),
Meleager and Atalanta
, Tate, London
Works by Other Artists
Ascribed to John Hamilton Mortimer after Wilson,
Meleager and Atalanta
Biographies
William Woollett (1735-1785)
Documents
William George Constable,
Richard Wilson
Martin Postle & Robin Simon,
Richard Wilson and the Transformation of European Landscape Painting
Edward Edwards,
Anecdotes of Painters who have resided or been born in England; with critical Remarks on their Productions
Louis Fagan,
A Catalogue Raisonné of the engraved Works of William Woollett
Robin Simon, 'New Light on Richard Wilson'
Robin Simon, 'Richard Wilson's
Meleager and Atalanta
'