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Phaeton
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Phaeton
Phaeton
Royal Academy of Arts, London
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Artist
William Woollett (1735-1785) after Wilson
Title
Phaeton
Date
Published 3 September 1763
Medium
Etching and engraving
Dimensions
Metric: 583 x 584 mm
Imperial: 22 15/16 x 23 in.
Details
Links
Collection
Royal Academy of Arts, London. To license image, click here.
Accession Number
PL006189
Wilson Online Reference
E12B
Description
Landscape with Phaeton and Apollo in the centre. Phaeton kneels before his father, asking permission to drive the chariot of the sun across the heavens for one day. There are nymphs to the right and left, a flock of sheep and a shepherd on the next hill. The river Styx can be seen behind and there is a temple and castle, with the rays of the sun over it.
Exhibited
Free Society of Artists, 1763 (246 - Phaeton's suit to Apollo: a proof print); London 2012 (unnumbered)
Provenance
Acquired by 1821
Signature/inscription
Lettered below the image:
[1] Upper left: Richard Wilson Pinxit.
[2] Upper centre: J. Boydell excudt.
[3] Upper right: William Woollett sculpsit.
[4] Lower centre: PHAETON / In the Collection of his Grace the Duke of Bridgewater / Published according to Act of Parliament by J. Boydell Engraver in Cheapside, London Septr. 3d. 1763.
Subject
The narrative comes from the first part of the story as told by Ovid in
Metamorphoses
, Book 2, ll. 31-102, where Apollo agrees to grant his son, Phaeton, any wish he desires as a proof of paternity. In response Phaeton asks to be allowed to drive his father's chariot across the sky for one day - with disastrous consequences.
Related Paintings
P119A
Landscape with Phaeton's Petition to Apollo
, Private Collection
Critical commentary
At the 1763 exhibition of the Free Society of Artists the print was compared unfavourably by Tobias Smollett with George Stubbs's print of the same subject that had been exhibited the previous year. However, as noted by Martin Postle, Smollett did praise Woollett, whose star was rapidly rising: 'The engraver has shown all his art in the sky and in the rays of the sun, which strike over and about the building; and we never before saw the light and shadow so well preserved in any print so very delicately engraved.'
Bibliography
T. Smollett,
The Critical Review; or Annals of Literature
, vol. 16, London, 1763, p. 314; Edwards 1808, p. 88; Fagan 1885, pp. 22-23, cat. LI, 5th State; Clayton 1997, pp. 198-99
More Information
An impression belonged to
William Lock of Norbury
and featured in his sale, Sotheby's London 3-7 May 1821 (623).
Condition/Conservation
Conserved by Emma Cox 2012
Work of Art
Prints
William Pengree Sherlock, Lefevre & Kohler after Wilson,
Phaeton
, The British Museum
Versions
William Woollett (1735-1785)after Wilson,
Phaeton
, The British Museum
William Woollett (1735-1785)after Wilson,
Phaeton
, Victoria & Albert Museum, London
William Woollett (1735-1785)after Wilson,
Phaeton
, The British Museum
William Woollett (1735-1785)after Wilson,
Phaeton
, The British Museum
William Woollett (1735-1785)after Wilson,
Faetonte
, Victoria & Albert Museum, London
Paintings
Richard Wilson (1713/14-1782),
Phaeton's Petition to Apollo
, Private Collection
Exhibitions
London, Royal Academy, 8 December 2012 - 17 February 2013
Biographies
William Woollett (1735-1785)
Lord Francis Egerton, 3rd Duke of Bridgewater (1736-1803)
Documents
Edward Edwards,
Anecdotes of Painters who have resided or been born in England; with critical Remarks on their Productions
Louis Fagan,
A Catalogue Raisonné of the engraved Works of William Woollett