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    Classical Landscape with Diana and Actaeon

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    Classical Landscape with Diana and Actaeon
    Classical Landscape with Diana and Actaeon
    Classical Landscape with Diana and Actaeon
    Collection of the Bermuda National Gallery and the Government of Bermuda: The Hon. Herward T. Watlington Bequest
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    Artist
    Richard Wilson (1713/14-1782)
    Title
    Classical Landscape with Diana and Actaeon
    Date
    c.1755-57 (undated)
    Medium
    Oil on canvas
    Dimensions
    Metric: 102.9 x 137.2 cm
    Imperial: 40 1/2 x 54 in.
    Collection
    Collection of the Bermuda National Gallery and the Government of Bermuda. To license image, click here.
    Wilson Online Reference
    P63A
    Description
    Diana and the nymphs are seen in the centre foreground and on the left is Actaeon in the form of a stag, head back with antlers to the right, pursued by his hounds. A relief of Leda and the Swan is on the architectural fragment, lower left. A small female figure, perhaps Callisto attempting to hide, is clinging to the branch in the water to the right. Diana wears the crescent moon on her head to symbolise her role as moon-goddess. In the distance are classical ruins and in the middle ground a block-like cliff or ruin, with a shadow of trees falling upon it.
    Exhibited
    Society of British Artists (Suffolk Street) 1832 (74), lent Northwick; Leggatt 1951 (33 - Classical Landscape)
    Provenance
    John Rushout, 2nd Lord Northwick (1769-1859), Thirlestaine House, Cheltenham; sold Phillips at Thirlestaine House, 12 August 1859 (1196 - Campagna di Roma with the Story of Diana and Actaeon), bt J. Daubeney; the Revd Benjamin Gibbons, Cheltenham; c.1925 Major W.H.S. Alston, London; with Leggatt; with Buttery; the Hon. Hereward Watlington (1902-1989), Woodside, Devon; bequeathed to the Government of Bermuda 1989; on loan to the Bermuda National Gallery
    Subject
    The subject is from Ovid's Metamorphoses, Book 3, lines 192-252. Diana was bathing with three of her maidens when she noticed the hunter Actaeon spying on them from behind the trees. Outraged, the goddess of chastity and hunting turned him into a stag and his own hounds tore him to pieces.
    Versions
    See 'Links' tab
    Related Paintings
    Pendant: P127C Diana and Callisto, Lady Lever Art Gallery, National Museums, Liverpool
    P87 Ariccia - II, Collection of the Earl of Pembroke, Wilton House, Wiltshire
    P87A Fallen Tree at Ariccia, Collection of the Earl of Pembroke, Wilton House, Wiltshire
    Critical commentary
    As noted by W.G. Constable, the present work differs slightly from P63, Private Collection, England, in the shapes of the trees and ruined castle and in the foliage, which is more elaborate, suggesting a later date.
    Bibliography
    Waagen 1854, vol. 3, p. 211, Letter XXVI, Thirlestaine House: 'A large and very rich landscape, in the taste of Claude; in front girls bathing. Poetically conceived, and in a powerful and clear tone. Very carefully executed'; WGC, p. 160 under pl. 17a
    More Information
    The fallen tree trunk at the right in this painting, although on a different scale, is similar to the one shown in P87 Ariccia - II and P87A Fallen Tree at Ariccia

    Work of Art

    Versions

    • Richard Wilson (1713/14-1782) Diana and Actaeon (Landscape with Figures bathing in a Pool), Private Collection, England

    Paintings

    • Richard Wilson (1713/14-1782), Diana and Callisto, Lady Lever Art Gallery, National Museums Liverpool (Pendant)
    • Richard Wilson (1713/14-1782), Ariccia - II, Collection of the Earl of Pembroke, Wilton House, Wiltshire
    • Richard Wilson (1713/14-1782), Fallen Tree at Ariccia, Collection of the Earl of Pembroke, Wilton House, Wiltshire

    Documents

    • William George Constable, Richard Wilson
    • Gustav Waagen, Treasures of Art in Great Britain
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