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    Portrait of Thomas Hollis

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    Portrait of Thomas Hollis
    Portrait of Thomas Hollis
    Portrait of Thomas Hollis
    Harvard Art Museums/Fogg Museum, Harvard University Portrait Collection, Gift of Mrs Donald F Hyde to the Harvard College Library, HNA98/Photo: Katya Kallsen, President and Fellows of Harvard College
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    Artist
    Richard Wilson (1713/14-1782)
    Title
    Portrait of Thomas Hollis
    Date
    1752
    Medium
    Oil on canvas
    Dimensions
    Metric: 56.5 x 44.4 cm
    Imperial: 22 1/4 x 17 1/2 in.
    Collection
    Harvard Art Museums/Fogg Museum, Harvard University Portrait Collection, Cambridge. To license images click here
    Accession Number
    HNA98
    Wilson Online Reference
    P43
    Description
    The sitter is shown bust-length with a ruddy face wearing a pale grey coat, trimmed with gold braid, a white stock and white tie-wig
    Provenance
    'A gentleman who was Chaplain at Leghorn'; Sir John Dick, British Consul at Leghorn; given to Thomas Jenkins, Rome; sent to Thomas Brand Hollis, 1776; inherited by the Revd John Disney, The Hyde, Ingatestone, Essex; his son, Edgar Norton Disney, thence by descent; Sotheby's 8 March 1950 (134), bt Colnaghi for Harvard University through the generosity of Mrs Donald F. Hyde
    Signature/inscription
    Unsigned, no inscription
    Verso inscriptions
    Lower right corner of stretcher, handwritten in ink: 14
    Labels
    Old handwritten labels in white:
    [1] Verso of canvas: Thomas Hollis | (Painted by R. Wilson at Rome 1752.) | Died Jan: 1, 1774.
    [2] Verso of stretcher in the same hand: Edgar Norton Disney 1887
    Subject
    Thomas Hollis (1720-1774) FRS, FSA, was a traveller and dilettante of republican sympathies. He was trained in public service and spent the years from 1740 to 1748 practising law in England. He then toured Europe twice (1748-49 and 1750-53), mixing with French philosophes and Italian artists, including Piranesi. He was an admirer of Cromwell, Milton and Algernon Sidney, an ardent advocate of colonial rights and one of the architects of American independence. He was also a major collector of books, medals, engravings and classical antiques, as well as a patron of Canaletto, Cipriani and Wilson. He presented books to the libraries of Harvard, Berne and Zurich universities.
    Related Works by Other Artists
    Joseph Wilton Bust of Thomas Hollis, marble, c.1760. National Portrait Gallery, London (NPG 6946)
    Critical commentary
    As W.G. Constable noted, stylistically, the portrait is wholly characteristic of Wilson in its broad, crisp handling and feeling for light.
    Previous Cat/Ref Nos
    Image No.: 74395
    Bibliography
    J. Disney, Memoirs of Thomas Brand-Hollis, 1808; Catalogue of the Collection of the Revd. John Disney, privately printed, 1809, p. 23; Whitley 1700-1799, vol. 1, p. 118; W.G. Constable, 'Notes: A Portrait of Thomas Hollis by Richard Wilson', Harvard Library Bulletin, vol. 5, no. 2, Spring 1951, pp. 242-46; Ford, 1952, pp. 308-11, fig. 10; WGC, p. 156, pl. 9; Sutton & Clements 1968, vol. 2, p. 8, fig. 9; W.H. Bond Thomas Hollis of Lincoln's Inn - A Whig and his Books, 1990, pp. 12-13; D. Wilson, 'A Bust of Thomas Hollis by Joseph Wilton RA: Sitter and Artist revisited', The British Art Journal, vol. 5, no. 3, Winter 2004, pp. 4-26; D. Wilson, 'Neo-neoclassicism: How Wilton's Bust of Hollis launched David Hicks', Sculpture Journal , vol. 22.1, 2013, pp. 143-48; Wilson and Europe 2014, pp. 8, 32-33 n.62, 74-75 (fig.63), 76-77, 87 n. 70, 190, 193, 210; J.Coutu, Then and Now: Collecting and Classicism in Eighteenth-Century England, 2015, pp. 166-67
    Link to WG Constable Archive Record
    WGC/1/1/13
    More Information
    This is the only known portrait painted by Wilson in Rome, though he made some portrait drawings there. According to the Disney catalogue, 'This picture was the property of a gentleman who was Chaplain at Leghorn. After his death it was purchased by Sir John Dick, Consul there and given by him to Mr Jenkins of Rome, who sent it as a present to Mr Brand-Hollis in 1776.' Hollis is known to have been a friend of Thomas Jenkins who used him as an agent and interested himself in Jenkins's affairs in England, after his return there in 1753.
    Condition/Conservation
    Dimensions framed: 73.4 x 70 cm (28 1/2 x 24 x 2 1/2 in.)

    Biographies

    • Thomas Hollis (1720-1774)
    • Thomas Jenkins (1722-1798)

    Documents

    • William George Constable, Richard Wilson
    • Martin Postle & Robin Simon, Richard Wilson and the Transformation of European Landscape Painting
    • Brinsley Ford, 'Richard Wilson in Rome: II - The Claudean Landscapes'
    • Denys Sutton & Ann Clements, An Italian Sketchbook by Richard Wilson, RA: Drawings made by the Artist in Rome and its Environs in the Year 1754
    • David Solkin, Art in Britain 1660-1815
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