Also published in New York, 1908, by Charles Scribner's Sons. No 13 of the series The Makers of British Art, edited by James A Manson. 204 pp.+ 20 black and white half-tone plates and a photogravure frontispiece. The work is an Edwardian period piece with a nationalist bias but stemmed from considerable research among early authorities. Four appendices list these along with pictures in public galleries, the major sales and related prints. See further Wilson and Europe 2014, pp. 174 & 176, fig.139.
