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    300 years
    "Phaeton" has these versions
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    Phaeton

    Phaeton
    Phaeton
    Phaeton
    Royal Academy of Arts, London
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    Artist
    William Woollett (1735-1785) after Wilson
    Title
    Phaeton
    Date
    Published 3 September 1763
    Medium
    Etching and engraving
    Dimensions
    Metric: 583 x 584 mm
    Imperial: 22 15/16 x 23 in.
    Collection
    Royal Academy of Arts, London. To license image, click here.
    Accession Number
    PL006189
    Wilson Online Reference
    E12B
    Description
    Landscape with Phaeton and Apollo in the centre. Phaeton kneels before his father, asking permission to drive the chariot of the sun across the heavens for one day. There are nymphs to the right and left, a flock of sheep and a shepherd on the next hill. The river Styx can be seen behind and there is a temple and castle, with the rays of the sun over it.
    Exhibited
    Free Society of Artists, 1763 (246 - Phaeton's suit to Apollo: a proof print); London 2012 (unnumbered)
    Provenance
    Acquired by 1821
    Signature/inscription
    Lettered below the image:
    [1] Upper left: Richard Wilson Pinxit.
    [2] Upper centre: J. Boydell excudt.
    [3] Upper right: William Woollett sculpsit.
    [4] Lower centre: PHAETON / In the Collection of his Grace the Duke of Bridgewater / Published according to Act of Parliament by J. Boydell Engraver in Cheapside, London Septr. 3d. 1763.
    Subject
    The narrative comes from the first part of the story as told by Ovid in Metamorphoses, Book 2, ll. 31-102, where Apollo agrees to grant his son, Phaeton, any wish he desires as a proof of paternity. In response Phaeton asks to be allowed to drive his father's chariot across the sky for one day - with disastrous consequences.
    Related Paintings
    P119A Landscape with Phaeton's Petition to Apollo, Private Collection
    Critical commentary
    At the 1763 exhibition of the Free Society of Artists the print was compared unfavourably by Tobias Smollett with George Stubbs's print of the same subject that had been exhibited the previous year. However, as noted by Martin Postle, Smollett did praise Woollett, whose star was rapidly rising: 'The engraver has shown all his art in the sky and in the rays of the sun, which strike over and about the building; and we never before saw the light and shadow so well preserved in any print so very delicately engraved.'
    Bibliography
    T. Smollett, The Critical Review; or Annals of Literature, vol. 16, London, 1763, p. 314; Edwards 1808, p. 88; Fagan 1885, pp. 22-23, cat. LI, 5th State; Clayton 1997, pp. 198-99
    More Information
    An impression belonged to William Lock of Norbury and featured in his sale, Sotheby's London 3-7 May 1821 (623).
    Condition/Conservation
    Conserved by Emma Cox 2012

    Work of Art

    Prints

    • William Pengree Sherlock, Lefevre & Kohler after Wilson, Phaeton, The British Museum

    Versions

    • William Woollett (1735-1785)after Wilson, Phaeton, The British Museum
    • William Woollett (1735-1785)after Wilson, Phaeton, Victoria & Albert Museum, London
    • William Woollett (1735-1785)after Wilson, Phaeton, The British Museum
    • William Woollett (1735-1785)after Wilson, Phaeton, The British Museum
    • William Woollett (1735-1785)after Wilson, Faetonte, Victoria & Albert Museum, London

    Paintings

    • Richard Wilson (1713/14-1782), Phaeton's Petition to Apollo, Private Collection

    Exhibitions

    • London, Royal Academy, 8 December 2012 - 17 February 2013

    Biographies

    • William Woollett (1735-1785)
    • Lord Francis Egerton, 3rd Duke of Bridgewater (1736-1803)

    Documents

    • Edward Edwards, Anecdotes of Painters who have resided or been born in England; with critical Remarks on their Productions
    • Louis Fagan, A Catalogue Raisonné of the engraved Works of William Woollett
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