The Cock Tavern at Cheam

The Cock Tavern at Cheam
The Cock Tavern at Cheam
The Cock Tavern at Cheam
Collection of the Winnipeg Art Gallery. Gift of Jeremiah J. Nolan. Photo: Ernest Mayer, Winnipeg Art Gallery
title=Credit line
Artist
Richard Wilson (1713/14-1782)
Title
The Cock Tavern at Cheam
Date
c.1745 (undated)
Medium
Oil on canvas
Dimensions
Metric: 81.2 x 146.5 cm
Imperial: 32 x 57 11/16 in.
Accession Number
G-52-183
Wilson Online Reference
P15B
Description
The view is probably south towards Banstead Downs, Surrey. Cheam Common opens out beyond it, while in the distance to the right the building is probably Cheam House.
Exhibited
Council for the Encouragement of Music and the Arts exhibitions 1942, at the Victoria & Albert Museum, London, Bristol, Liverpool, Birmingham, Cardiff, Bath and Oxford
Provenance
Col. M.H. Grant; John Nicholson, New York; Jeremiah J. Nolan; Winnipeg Art Gallery
Signature/inscription
Unsigned; no inscription
Subject
The Cock Tavern was probably the Cock Inn, a well-known country coaching inn on the London to Brighton road, located in Sutton, the neighbouring parish to Cheam. It stood beside an unexceptional area of common land about 12 miles south-west of central London. In 1755 the inn became the Cock Hotel, catering for the newly-constructed London to Brighton turnpike.
Versions
See 'Links' tab
Related Works by Other Artists
Thomas Rowlandson, The Cock Hotel, Sutton, etching and aquatint, 1789
Critical commentary
As Solkin has noted, this was apparently the most popular of Wilson's early landscapes, to judge by the fact that it survives in four versions. The composition and colour are close to Esias van de Velde's Wooded River Landscape (Sotheby's 14 April 2011 (108)). Certainly the work shows Wilson at his most Netherlandish and was probably intended for a new group of middle-class buyers whose taste in landscape tended more towards Dutch-style views than to the grandiose pastorals of the classical tradition. Solkin has also extensively discussed the social and economic implications inherent in the contrast between the tumbledown inn with its decaying picket fence and resting peasants on the left and the newly-built house with its neat enclosure and strolling bourgeoisie opposite.
Bibliography
WGC, pp. 76, 171, pl. 30c
Link to WG Constable Archive Record