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    300 years
    "WGC" Is linked to these Works of Art
    of 386

    The Unransomed (The Murder)

    The Unransomed (The Murder)
    The Unransomed (The Murder)
    The Unransomed (The Murder)
    Courtesy of National Museums Liverpool
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    Artist
    Richard Wilson (1713/14-1782)
    Title
    The Unransomed (The Murder)
    Date
    c.1752-56 (undated)
    Medium
    Oil on canvas
    Dimensions
    Metric: 99.1 x 127 cm
    Imperial: 39 x 50 in.
    Collection
    Lady Lever Art Gallery, National Museums Liverpool. To license images click here.
    Accession Number
    LL3549
    Wilson Online Reference
    P50D
    Description
    A rocky waterfall with bandits and other figures in the foreground; a bandit threatening a half-clothed young woman with a sword as she kneels by a dead body. In the left distance a bridge leads to a rocky hillock at the summit of which stands a ruin.
    Exhibited
    [?BI 1817 (20 - Storm with Banditti, lent by Sir A. Hume; [?Liverpool Royal Institution 1823 (112 - , lent Winstanley; RA 1906 Old Masters(85); Birmingham 1948-49 (56); London 1949 (55)
    Provenance
    Orrock-Linton sale, Christie's 25-27 April 1895 (323 - A Rocky Landscape with a waterfall and banditti in the foreground) bt in; James Orrock, Christie's 4 June 1904 (146) bt Boswell; William Hesketh Lever (1st Baron Leverhulme from 1917), November 1904; transferred from his private collection to the Lady Lever Art Gallery, 1922
    Related Drawings
    D173 Study for the Murder, Ashmolean Museum, University of Oxford
    D322 Landscape with Banditti: The Murder, National Museum Wales, Cardiff
    Related Prints
    E72/32 Thomas Hastings after Wilson, The Murder, The British Museum and other impressions
    Versions
    See 'Links' tab
    Related Paintings
    P163 Meleager and Atalanta, Tate, London
    Critical commentary
    Of the different versions, this one is most similar in theme and various details to P50A The Murder (Private Collection, England) but larger and with differences in the figures and settings. Together the pictures may represent a third stage in the design for P163 Meleager and Atalanta, Tate, London.
    Previous Cat/Ref Nos
    638
    Bibliography
    Waterhouse 1953, p. 176; WGC, pp. 91, 158, pl. 14b; A. Kidson, Earlier British Paintings in the Lady Lever Art Gallery, National Museums & Galleries, Merseyside, 1999, pp. 180-82
    Link to WG Constable Archive Record
    WGC/1/1/17
    Condition/Conservation
    Kate Lowry has noted: Gilt compo frame, low reflective glass. Viewed in frame on display. Oil on canvas, relined. Not signed or dated. Possibly a dark coloured ground. Generally a rather poor quality of painting in the rocks above the cascade, and harsh thunderclouds with mountains and lightning at centre left. Figures are quite dramatically painted. Drying cracks throughout especially in left hand tree trunks. Poor condition and very dark in tone. Central figures are close to those in P50.
    Updated by Compiler
    01/05/2020

    Work of Art

    Drawings

    • Richard Wilson (1713/14-1782), Study for the Murder, Ashmolean Museum, University of Oxford
    • Landscape with Banditti: The Murder, National Museum Wales, Cardiff

    Prints

    • Thomas Hastings after Wilson, The Murder, The British Museum

    Versions

    • Richard Wilson (1713/14-1782) Landscape with Banditti: The Murder, National Museum Wales, Cardiff
    • Richard Wilson (1713/14-1782) The Murder, Private Collection, England
    • Richard Wilson (1713/14-1782) Landscape with Banditti, National Museums Northern Ireland Collection Ulster Museum

    Paintings

    • Meleager and Atalanta, Tate, London

    Documents

    • William George Constable, Richard Wilson
    • Ellis Kirkham Waterhouse, Painting in Britain 1530-1790
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