Studies and Designs done in Rome in the Year 1752…

Studies and Designs done in Rome in the Year 1752…
Studies and Designs done in Rome in the Year 1752…
Studies and Designs done in Rome in the Year 1752…
Victoria & Albert Museum, London
title=Credit line
Richard Wilson (1713/14-1782)
Studies and Designs done in Rome in the Year 1752, p. 7: Villa Vilsoniania
Black chalk on white paper
Metric: 188 x 130 mm (volume: 203 x 143 mm)
Imperial: 8 x 5 5/8 in.
Accession Number
Wilson Online Reference
View of a villa on a wooded hillside overlooking water, with a figure on the path leading up to it from the left foreground - all within a rectangular border
Bt about 1922 from Miss Alice J. Bowles
Inscribed by Wilson below the image: 'Villa Vilsoniania'
Numbered below the image lower right: 6
Page numbered upper right corner: 7
The inscription may identify one of the buildings shown, probably the most prominent one in the centre, as a real or imagined residence of Wilson's.
Related Prints
E60/30 John Whessell after Wilson, Studies & Designs: Villa Vilsoniania, The British Museum
Critical commentary
Wilson's commitment to landscape made soon after his arrival in Rome in late 1751 initiated a sustained burst of activity as a draughtsman which was to gain momentum over the next few years. One major piece of evidence for the seriousness with which he took his new career is provided by the pages of this surviving sketchbook from 1752. Although it contains a number of rapid sketches from nature and the antique, most of its leaves are filled with imaginary essays in landscape design, usually incorporating classical themes such as antique ruins but presented in a rococo manner, 'using lazy curving forms and often capricious combinations of architectural motifs in a way that still recalls the works of Zuccarelli. From this time onwards, however, Wilson slowly but surely abandoned this fantastic notion of landscape art in favour of focusing his attention on the outside world. (Solkin 1982, p. 152)
Solkin 1982, pp. 152, 157
More Information
Only two sketchbooks by Wilson have survived - the present one (D53-D53/81) and D280-D280/33 Italian Sketchbook - Drawings, 1754, Yale Center for British Art, Paul Mellon Collection