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    Return to "Bowles" is linked to these Works 38 items
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    Italian Sketchbook - Drawings 26(v) and 27(r)

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    Italian Sketchbook - Drawings 26(v) and 27(r)
    Italian Sketchbook - Drawings 26(v) and 27(r)
    Italian Sketchbook - Drawings 26(v) and 27(r)
    Yale Center for British Art, Paul Mellon Collection
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    Artist
    Richard Wilson (1713/14-1782)
    Title
    Italian Sketchbook - Drawings 26(v) and 27(r)
    Date
    1754
    Medium
    Black chalk heightened with white on medium, rough, blued white wove paper, bound in vellum
    Dimensions
    Metric: 281 x 210 mm (each sheet)
    Imperial: 11 1/16 x 8 1/4 in. (each sheet)
    Collection
    Yale Center for British Art, Paul Mellon Collection, New Haven. To license images click here
    Accession Number
    B1977.14.359 v26 & r27
    Wilson Online Reference
    D280/26
    Description
    26(v): Study of a tower in Durham Yard
    27(r): Study of a tree with two women below in the left foreground
    Provenance
    Oldfield Bowles; given to Sir George Beaumont, 1784; thence by descent until 1963, when sold to Paul Mellon
    Signature/inscription
    Unsigned; no inscription
    Subject
    26(v): Durham Yard, south of the Strand, London, took its name from Durham House built in the 14th century for the Bishops of Durham. In 1660 it was largely demolished and the residual space, Durham Court, became an area occupied by small traders and artisans. By the mid-18th century it had declined into a virtual slum prior to becoming the site for the Adam brothers' Adelphi, begun in 1768. The ruined tower in the drawing had probably been part of the chapel of Durham House. There are pencil drawings of it by Joseph Farington (who like Hodges studied under Wilson in the mid-1760s) on pages 3 and 61 of his 1765 sketchbook at the Victoria and Albert Museum, London.
    Related Drawings
    27(r):
    D280/5 Italian Sketchbook - Drawings, 5(v) Study of a Tree
    D280/13 Italian Sketchbook - Drawings, 14(r) Study of a Woman reclining on a Bed
    Related Paintings
    P145 The White Monk - II The Sarah Campbell Blaffer Foundation, Museum of Fine Arts, Houston and other versions
    Related Works by Other Artists
    26(v): D280/24 Italian Sketchbook - Drawings, 24(v): William Hodges, Study in Durham Yard
    Critical commentary
    26(v) is a smaller and less detailed study of the tower than 24(v) drawn by Wilson's pupil, William Hodges (D280/24), but taken from the same viewpoint.
    27(r) Clements noted the similarities of the tree to that shown in 5(v) (D280/5) and of the right hand figure to the girl featured in 14(r) (D280/13). She compared the two figures with the women appearing in The White Monk - II (P145 and other versions).
    Previous Cat/Ref Nos
    Object ID: 6363
    Bibliography
    Sutton & Clements 1968, vol. 1, pp. 25-26; vol. 2, p. 47
    More Information
    Only two sketchbooks by Wilson have survived - the present one (D280-D280/33) and D53-D53/81 Studies and Designs by R. Wilson done in Rome in the Year MDCCLII, Victoria & Albert Museum, London (E.3586-1922).
    Updated by Compiler
    2016-08-31 00:00:00

    Work of Art

    Drawings

      27(r):
    • Italian Sketchbook - Drawings 5(v) Study of a Tree
    • Italian Sketchbook - Drawings, 14(r) Study of a Woman reclining on a Bed

    Paintings

    • The White Monk - II The Sarah Campbell Blaffer Foundation, Museum of Fine Arts, Houston and other versions

    Works by Other Artists

      26(v):
    • Italian Sketchbook - Drawings, 24(v): William Hodges, Study in Durham Yard

    Biographies

    • Paul Mellon (1907-1999)
    • Oldfield Bowles (1739-1810)
    • Sir George Beaumont (1753-1827)

    Documents

    • Denys Sutton & Ann Clements, An Italian Sketchbook by Richard Wilson, RA: Drawings made by the Artist in Rome and its Environs in the Year 1754
    This drawing is part of the "Italian Sketchbook Drawings Yale Center for British Art 1754" sketchbook
    View sketchbook pages
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