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Sir Edward Hawke
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Sir Edward Hawke
Sir Edward Hawke
The Trustees of the British Museum
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Artist
John Faber the Younger (c.1684-1756) after Wilson
Title
Sir Edward Hawke
Date
1746-56 (undated)
Medium
Mezzotint
Dimensions
Metric: 335 x 250 mm
Imperial: 13 3/16 x 9 7/8 in.
Details
Links
Collection
The British Museum.
To license image, click here
Accession Number
1935,0413.150
Wilson Online Reference
E2
Description
Three-quarter length portait of Sir Edward Hawke, standing leaning with his left elbow on the base of a broken column, holding a telescope in front of him, left knee bent and advanced, right hand on hip. He is wearing a coat with large decorations around the buttons, open over a silk jacket and a long wig. There are distant ships in the background to the left.
Provenance
Donated by Ulick de Burgh-Browne, 7th Marquis of Sligo, 1935
Signature/inscription
Lettered below the image: Sr. Edward Hawke.
Inscribed lower right: No. 88
Subject
Edward Hawke (1705-1781) distinguished himself at Toulon and was made Rear Admiral in 1747. In 1757 he commanded the Mediterranean Fleet and defeated the French at Quiberon Bay. In 1765 he became First Lord of the Admiralty. He was raised to the peerage in 1776.
Related Prints
E1 John Faber the Younger
Thomas Smith Esq., Vice Admiral of the White
, The British Museum and other impressions
Critical commentary
Adapted from Faber's portrait after Wilson of Admiral Thomas Smith (E1) - entirely reworked, wig and face altered and sash added
Bibliography
Chaloner Smith vol. 1, p. 426, cat. 333, state IV; G. Layard,
Catalogue Raisonné of Engraved British Portraits from Altered States
, 1927, p. 114, no. 103, state VI
Condition/Conservation
Trimmed above the publication line, which is thus missing
Work of Art
Prints
John Faber the Younger
Thomas Smith Esq., Vice Admiral of the White
, The British Museum and other impressions
Biographies
Admiral Thomas Smith (1707-1762)
John Faber the Younger (c.1684-1756)
Documents
John Chaloner Smith,
British Mezzotinto Portraits; being a Descriptive Catalogue of these Engravings from the Introduction of the Art to the early part of the present Century